Funeral's 'What Could Have Been' had a release date set for January 7, 2002. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Funeral's "In Fields of Pestilent Grief" album is number 8 out of 11. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, What Could Have Been is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of What Could Have Been by Funeral to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dead Swan of the Woods | Doom:VS | B Minor | 4 | 10A | 110 BPM | ||
| Erevos | On Thorns I Lay | D Minor | 9 | 7A | 130 BPM | ||
| Shroud Of Frost - Studio | Anathema | E Minor | 8 | 9A | 126 BPM | ||
| The Incubus of Karma | Mournful Congregation | E♭ Minor | 2 | 2A | 100 BPM | ||
| Descending Inner Night | Shape Of Despair | E♭ Minor | 4 | 2A | 75 BPM | ||
| Your Heart in My Hands | Vanha | B Minor | 4 | 10A | 100 BPM | ||
| Autumn Reflection | Novembers Doom | A♭ Major | 6 | 4B | 120 BPM | ||
| Sleeping Murder | Shape Of Despair | D Major | 7 | 10B | 100 BPM | ||
| Sweet Tears - Studio | Anathema | G Major | 8 | 9B | 140 BPM | ||
| Lover's Grief | Empyrium | F Major | 5 | 7B | 76 BPM | ||
| Ophelia | Celestial Season | A Minor | 5 | 8A | 111 BPM | ||
| Forever Misery | Aeonian Sorrow | E♭ Major | 8 | 5B | 156 BPM | ||
| Cosmic Shining | Darkseed | D♭ Minor | 5 | 12A | 85 BPM | ||
| Of Stone, Wind, and Pillor | Agalloch | A Minor | 8 | 8A | 127 BPM | ||
| Ode to Melancholy | Empyrium | D Minor | 6 | 7A | 118 BPM | ||
| To Forget | Rapture | E Minor | 8 | 9A | 148 BPM | ||
| I Am the Agony | Angellore | D Minor | 6 | 7A | 132 BPM | ||
| The Divinity of Oceans | Ahab | C Minor | 4 | 5A | 120 BPM | ||
| Antithesis of Light | Evoken | B♭ Major | 8 | 6B | 82 BPM | ||
| Infinity | Lacrimas Profundere | A Minor | 5 | 8A | 176 BPM | ||
| Obsidian | Remembrance | A Major | 4 | 11B | 81 BPM | ||
| Fields of Ashes | Evereve | A♭ Minor | 9 | 1A | 108 BPM | ||
| Until We Fail | The Foreshadowing | E♭ Major | 6 | 5B | 172 BPM | ||
| Gray Blow | Unholy | D Major | 5 | 10B | 90 BPM | ||
| Litany of Rain | Saturnus | F♯ Minor | 6 | 11A | 120 BPM |