"Offerentur Regi Virgines: Manuscrit de Saint-Gall" by Anonymous, Brigitte Lesne, Discantus had its release date on September 16, 2003. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anonymous, Brigitte Lesne, Discantus's "Hortus Deliciarum (Chants Grégoriens Du XIIe S.)" album is number 12 out of 21. On top of that, France appears to be the country where this track was created. Based on our statistics, Offerentur Regi Virgines: Manuscrit de Saint-Gall's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Offerentur Regi Virgines: Manuscrit de Saint-Gall by Anonymous, Brigitte Lesne, Discantus to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sedes Sapientiae | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| In Paradisum Voces | Cistercian Monks of Stift Heiligenkreuz, Magna Canta, Anonymous, Agnus Dei | F♯ Minor | 1 | 11A | 83 BPM | ||
| Monastic Silence for Evening Prayer | Gregorian Chanting Monks, Oxford Camerata, The Gregorian Chants | F Major | 1 | 7B | 93 BPM | ||
| CondÍtor Alme SÍderum | Anonymous, Choeur des frères dominicains de la province de France | F♯ Minor | 0 | 11A | 139 BPM | ||
| Conduis-moi dans tes chemins | Chorale Cantate Ei, Chorale Dóxa Theó | C Minor | 2 | 5A | 87 BPM | ||
| Francis Poulenc: Quem vidistis pastores | Lumen Valo | B Minor | 1 | 10A | 131 BPM | ||
| Gregorian Chant for the Dead: Libera me (Responsorium-prolixum) | Anonymous, Aurora Surgit, Alessio Randon | E Major | 0 | 12B | 73 BPM | ||
| Chant for No One | Night Monastery | D♭ Major | 1 | 3B | 131 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Cantus Officiorum: Psallenda: Videntes stellam magi | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | E Minor | 1 | 9A | 84 BPM | ||
| Viderunt omnes No. 1: Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 135 BPM | ||
| Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
| Hypakoe of Pascha | St. Symeon Orthodox Church Octet | C Major | 1 | 8B | 130 BPM | ||
| The Second Vigil | Night Monastery | D♭ Major | 1 | 3B | 131 BPM | ||
| Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | ||
| In paupertatis predio | Anonymous, Orlando Consort | A Minor | 1 | 8A | 95 BPM | ||
| Benedictionis Sub Caelo Caeruleo | Monges Beneditinos, The Benedictine Monks of Worth Abbey, Gregorian Chant Schola of Saint Meinrad Archabbey | E♭ Major | 0 | 5B | 67 BPM | ||
| Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | ||
| Te Deum - Hymnus (tonus monasticus) | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Major | 2 | 11B | 73 BPM | ||
| Ave sanctissima Maria: Ave Sanctissima Maria | Juan de Anchieta, Loreto Fernandez Imaz, Capilla Peñaflorida, Ministriles de Marsias, Josep Cabre | A Minor | 1 | 8A | 77 BPM | ||
| Miserere mei Deus, C. 116: VI. Docebo iniquos vias tuas | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 2 | 3B | 107 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Abelard and Heloise, from Saint-Denis to the Paraclete Monastic Song: O quanta qualia | Peter Abelard, Paul Hillier, Theatre Of Voices | C Minor | 0 | 5A | 131 BPM | ||
| Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM | ||
| Song of Cherubs No. 7 | Dmitry Bortniansky, St. Petersburg Optina Pustyn Male Choir | A Major | 2 | 11B | 130 BPM |