Jörg Hofmann's 'Tangos - 100 Bpm' had a release date set for September 25, 2015. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 78 out of 116 in Compás - Percusión Flamenca by Jörg Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Tangos - 100 Bpm is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Tangos - 100 Bpm by Jörg Hofmann is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bulerías de tenerte - Deluxe | AL-BLANCO, EL PELI, Adrián Santana, Aitana Rousseau | D Major | 0 | 10B | 125 BPM | ||
| Redoblaron Campanas (Seguirilla) | Antonio Reyes, Diego del Morao | D♭ Minor | 7 | 12A | 111 BPM | ||
| Soleá de Alcalá | El Trini, Victor M. Rosa | F♯ Minor | 6 | 11A | 120 BPM | ||
| Letra 2 - Falseta - Corte | Jose Galvan, Rafael Rodriguez, Arcángel | D♭ Major | 1 | 3B | 164 BPM | ||
| Bulerias de Triana | Triana Pura | D♭ Major | 9 | 3B | 115 BPM | ||
| Terremoto | Moraíto | C Major | 3 | 8B | 108 BPM | ||
| Cambiaste De Parecer | Carmen Linares, Miguel Angel Cortés, Paco Cortés | F♯ Minor | 5 | 11A | 82 BPM | ||
| Esquilones de Plata - Bulerías | Porrina de Badajoz | G Major | 8 | 9B | 158 BPM | ||
| Alegrías (solo Compás) = 120 | Juana Amaya, José Galván | G Minor | 4 | 6A | 240 BPM | ||
| No la escucharemos más - Bulerías | Juanito Villar | E Minor | 7 | 9A | 112 BPM | ||
| En El Rincón De Mi Alma (Minera y Alegría) | Manuel Cerpa | D♭ Major | 5 | 3B | 76 BPM | ||
| Serrana Pa Mi Pare | Manuel Parrilla | A Minor | 6 | 8A | 130 BPM | ||
| A los Perros Embusteros | El Cabrero | D Major | 3 | 10B | 84 BPM | ||
| Plazuelero (Fin de Fiesta) | Luis Moneo | D♭ Minor | 7 | 12A | 111 BPM | ||
| Qué Guapos Están los Novios | Chiqui de Jerez | B Minor | 8 | 10A | 95 BPM | ||
| Sólo por Eso | La Macanita, Manuel Parrilla | A♭ Major | 7 | 4B | 117 BPM | ||
| Colombianas: Coletilla Final | Juan María Real, Ana Real, Manuel Salado | A Major | 4 | 11B | 77 BPM | ||
| Diálogo | José Luis Montón, Juan Diego Mateos | B Minor | 5 | 10A | 108 BPM | ||
| Si al Río Yo Me Tirara: Bulerías | La Paquera De Jerez, Juan Serrano | A Major | 7 | 11B | 121 BPM | ||
| La Huerta de Molina | La Macanita | F Major | 2 | 7B | 137 BPM | ||
| Bulerías de la Bolola y el Chozas | Ezequiel Benítez | D♭ Major | 4 | 3B | 115 BPM | ||
| Otros Compases | Chiqui de Jerez | F Major | 7 | 7B | 105 BPM | ||
| Media con Cante | Solo Compas | E Minor | 5 | 9A | 147 BPM | ||
| Como el Amor de una Madre | Aurora Vargas | G Minor | 8 | 6A | 107 BPM | ||
| Fandango | Manuel Agujetas, Moraito | G Major | 4 | 9B | 95 BPM |