Hans Koller, Attila Zoller, Roland Hanna's 'Afterthoughts' had a release date set for 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Trinity". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Afterthoughts is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Afterthoughts by Hans Koller, Attila Zoller, Roland Hanna having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stomping At The Savoy | Jutta Hipp, Hans Koller | A♭ Major | 4 | 4B | 88 BPM | ||
| The Room After Words | Milo Crescent | E♭ Major | 1 | 5B | 170 BPM | ||
| Up In The Blues | Freddie Green | C Major | 4 | 8B | 197 BPM | ||
| Denzil's Best | Frank Fiedler, Joe Dinkelbach | A♭ Major | 3 | 4B | 169 BPM | ||
| Lost Moon | Julian Moonray | G Minor | 0 | 6A | 147 BPM | ||
| Easy to Love | Barry Harris Trio | E♭ Major | 1 | 5B | 170 BPM | ||
| Limehouse Blues | Teddy Wilson | A♭ Major | 4 | 4B | 132 BPM | ||
| Three Sisters | Bruno Spoerri | G Major | 5 | 9B | 99 BPM | ||
| She Laughed at Everything | Moss & Marrow | F Minor | 1 | 4A | 107 BPM | ||
| The Night I Chose Me | Smoke & Sonata | E♭ Major | 1 | 5B | 170 BPM | ||
| Yesterdays | Oscar Pettiford, Rolf Kühn, Jimmy Pratt, Hans Koller, Attila Zoller | F Minor | 4 | 4A | 99 BPM | ||
| 5' with HK (feat. Hans Koller) | Dominic Murcott, Hans Koller | D♭ Major | 6 | 3B | 76 BPM | ||
| Rise of the Fallen Star | Maceo Valiente | B Minor | 4 | 10A | 78 BPM | ||
| The End of a Love Affair | Attila Zoller, Hans Koller, Martial Solal | E♭ Major | 2 | 5B | 67 BPM | ||
| Makin' Whoopee | Gerry Mulligan And His Sextet | A♭ Major | 4 | 4B | 162 BPM | ||
| Infatuation | Fats Navarro | F Major | 5 | 7B | 107 BPM | ||
| Trumpet With Sunset | Vivandis | F Major | 3 | 7B | 174 BPM | ||
| Lo-Fi Eternity | MySOL | D♭ Minor | 0 | 12A | 130 BPM | ||
| Sweet Rain (For Stan Getz), Pt. 1 | Michael Gibbs | F Major | 6 | 7B | 92 BPM | ||
| It's Over | Hans Koller | C Minor | 4 | 5A | 120 BPM | ||
| Stompin' At the Savoy | Attila Zoller, Hans Koller, Martial Solal | E♭ Major | 2 | 5B | 67 BPM | ||
| Elegance in Blue | Layla | F Major | 4 | 7B | 69 BPM | ||
| Berkshire Blues | Randy Weston | C Major | 3 | 8B | 97 BPM | ||
| Compliments of the Evening | Bronze Oracle | F♯ Major | 2 | 2B | 72 BPM | ||
| Nicolas De Staël II | Hans Koller, Adelhard Roidinger, Costa Lukacs | A Minor | 4 | 8A | 77 BPM |