"Promenade for Girls" by Herbert Howells, Matthew Schellhorn had its release date on December 2, 2022. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Herbert Howells, Matthew Schellhorn's "Howells: Piano Music, Vol. 2" album is number 24 out of 29. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Promenade for Girls's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Promenade for Girls by Herbert Howells, Matthew Schellhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| 2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 69 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| Requiem: III. And God shall wipe away all tears | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Lucy Mitten | D Major | 0 | 10B | 83 BPM | ||
| I Sat Down Under His Shadow | Edward Bairstow, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 134 BPM | ||
| Hymnen, Op. 140: IV. Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
| Legend (The Crown of Roses) | Pyotr Ilyich Tchaikovsky, Tenebrae, Nigel Short | E Minor | 0 | 9A | 126 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| Psalm 23: The Lord Is My Shepherd (Goss) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| Goodnight Moon | Eric Whitacre, Adrian Kirtley, 2022 Chamber, Timber Creek HS Chamber | G Major | 1 | 9B | 132 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| We Wait for Thy Loving Kindness | William McKie, John Rutter, Andrew Lucas, The Cambridge Singers, Simon Wall | D Major | 2 | 10B | 108 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Creator Spirit (Kyrie eleison) | Kim André Arnesen, Bielski Chór Kameralny, Daniel Strządała | F Major | 1 | 7B | 76 BPM | ||
| Psalm 39 "I Said I Will Take Heed to My Ways" | Herbert Howells, Durham Cathedral Choir, Ian Shaw, James Lancelot | A Minor | 0 | 8A | 66 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM |