Button Poetry, Neil Hilborn's ' "History of Punk Rock" was released on its scheduled release date, December 10, 2018. For a fairly short song, this song is "History of Punk Rock" is considered an explicit song with a duration of 1:05. The song is number 3 out of 7 in Best of Button: October 2018 by Button Poetry. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. History of Punk Rock is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of History of Punk Rock by Button Poetry, Neil Hilborn is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yellow | Catie Trainor | D♭ Minor | 4 | 12A | 87 BPM | ||
| How Teenage Girls Are Like Poetry | Button Poetry, Sophie Priceman | C Major | 8 | 8B | 105 BPM | ||
| Without HIM (Skit) | Mardï | C Major | 4 | 8B | 171 BPM | ||
| Before the Internet | Phil Kaye, Button Poetry | G Major | 1 | 9B | 132 BPM | ||
| For The Artists | Adam Fink | E♭ Major | 3 | 5B | 79 BPM | ||
| Lay Your Head Down | Mary Lambert | C Major | 1 | 8B | 106 BPM | ||
| What If I Am Queer? | Human Kitten | F♯ Major | 3 | 2B | 100 BPM | ||
| Voicemail | Whitney Hanson | A♭ Minor | 2 | 1A | 70 BPM | ||
| Sarah to David | Hotel Books | D Major | 3 | 10B | 79 BPM | ||
| Handsome | Rachel Wiley, Button Poetry | B♭ Major | 3 | 6B | 74 BPM | ||
| To This Day | Shane Koyczan | G Minor | 3 | 6A | 119 BPM | ||
| Intro | Reyna Biddy | D♭ Major | 2 | 3B | 129 BPM | ||
| Static Electricity | Neil Hilborn, Button Poetry | F♯ Major | 5 | 2B | 75 BPM | ||
| Bones | Reyna Biddy | C Minor | 2 | 5A | 94 BPM | ||
| Baby Don't Cut - Slowed | Bmike Nightcore, Michael Benjamin Hoosen | F♯ Major | 4 | 2B | 139 BPM | ||
| The Break Up Poem | Nego True | A Major | 3 | 11B | 57 BPM | ||
| Say What God Says | Highlighting The Way | C Minor | 2 | 5A | 130 BPM | ||
| The Dark | Ethan Jewell | E Minor | 5 | 9A | 75 BPM | ||
| Endings | Reyna Biddy | E Major | 3 | 12B | 102 BPM | ||
| Body Love Part 1 | Mary Lambert | A Minor | 5 | 8A | 140 BPM | ||
| This Is Not the End of the World | Neil Hilborn, Button Poetry | C Minor | 2 | 5A | 72 BPM | ||
| Gated Community (Interlude) | Saint Wellesley | F♯ Major | 0 | 2B | 128 BPM | ||
| Let Go and Move On | Your World Within | A♭ Minor | 3 | 1A | 76 BPM | ||
| Rules for the Functioning Alcoholic | Shane Hawley, Button Poetry | A Minor | 4 | 8A | 60 BPM | ||
| Wooden Floorboards | Hotel Books | D Minor | 5 | 7A | 67 BPM |