"VIII. Plein jeu" by Guillaume-Gabriel Nivers, Daniel Roth had its release date on April 14, 2001. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Daniel Roth's "Great European Organs, Vol. 64: Saint-Sulpice, Paris" album is number 8 out of 21. On top of that, United Kingdom appears to be the country where this track was created. VIII. Plein jeu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of VIII. Plein jeu by Guillaume-Gabriel Nivers, Daniel Roth to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Bellot Ensemble, Lucine Musaelian, Kieran White | F♯ Major | 2 | 2B | 101 BPM | ||
| Mass for 5 Voices, T. 3: IIIc. Et in Spiritum Sanctum | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| Mysterium Arcani | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| Messe de minuit pour Noël, H. 9: IV. Sanctus | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Romain Champion, Mathias Vidal, David Witczak | C Major | 3 | 8B | 70 BPM | ||
| Ricercar sexto | Jacques Buus, Musurgia Ensemble, João Francisco Távora | D Minor | 2 | 7A | 170 BPM | ||
| Miserere: II. Amplius lavame ; Quoniam iniquitatem meam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | E Minor | 0 | 9A | 69 BPM | ||
| Troparion to the Icon | Savior-Transfiguration Cathedral of Pryluky | D Minor | 0 | 7A | 78 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Second salut: II. Beata es Maria | Guillaume-Gabriel Nivers, Emmanuel Mandrin, Les Demoiselles De Saint-Cyr | F♯ Minor | 0 | 11A | 123 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 24, Ballo detto Pollicio | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Da pacem domine | Franz Tunder, Capella De La Torre, Katharina Bauml | B♭ Major | 1 | 6B | 76 BPM | ||
| Missa super Christ unser Herr (Kyrie) | Christoph Bernhard, Vox Luminis, Lionel Meunier, Bart Jacobs | A Minor | 1 | 8A | 63 BPM | ||
| Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
| Ancient Church Songs Meditation and Reflection | The Schola Cantorum of St. John XXIII Parish, Cantos Gregorianos, Monges da Abadia de Notre Dame | F Major | 1 | 7B | 75 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Enite Ton Kyrion | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | D Major | 1 | 10B | 89 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| Deuxième livre d'orgue contenant la Messe et les hymnes de l'Église: No. 22, L’hymne de la Nativité de nostre Seigneur à Laudes "A solis ortus cardine" | Guillaume-Gabriel Nivers, Emmanuel Mandrin, Les Demoiselles De Saint-Cyr | F♯ Minor | 0 | 11A | 123 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Charpentier: Psaume XXVI. "Dominus illumination mea" (D'après le Dixit Dominus, H. 226) | Guillaume-Gabriel Nivers, Marc-Antoine Charpentier, Gérard Lesne, Agnès Mellon, Ian Honeyman, Jacques Bona | B Major | 1 | 1B | 109 BPM |