""Thomas Was Here"" by Brett Rosenberg had its release date on July 11, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Brett Rosenberg's "Half Light (Original Motion Picture Soundtrack)" album is number 13 out of 29. On top of that, Sweden appears to be the country where this track was created. "Thomas Was Here" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Thomas Was Here" by Brett Rosenberg to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The World Turned Upside Down - Pt. 2 | Laurent Eyquem | B♭ Major | 0 | 6B | 71 BPM | ||
| Destiny on Culloden Moor | Bear McCreary | D Minor | 2 | 7A | 110 BPM | ||
| Keep In Touch | Brett Rosenberg | C Major | 8 | 8B | 176 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| Marysia | Paweł Lucewicz | D Minor | 1 | 7A | 106 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Raindrops | Panu Aaltio | F Major | 1 | 7B | 79 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| Taken | Brett Rosenberg | C Major | 7 | 8B | 133 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Etude in C-Sharp Minor, Op. 5 No. 1 | Daniel Eles | D Minor | 0 | 7A | 84 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Mei-Yin Codex Archives - Altaras | Gareth Coker | B♭ Minor | 1 | 3A | 103 BPM | ||
| Angelica´s Love | Roque Baños | C Major | 0 | 8B | 78 BPM | ||
| The Gift | Christopher Young | F Minor | 0 | 4A | 113 BPM | ||
| The Lost Child Orchestral Suite | Mark McKenzie | D Major | 1 | 10B | 68 BPM | ||
| Jewish Eyes | Brett Rosenberg | F Major | 8 | 7B | 127 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| The Ghost Pavane | Christopher Young | F Minor | 0 | 4A | 109 BPM | ||
| The Harvest | Anne Dudley, The Chamber Orchestra Of London | F Major | 3 | 7B | 73 BPM | ||
| Basically Flying | Kevin Smuts | A Minor | 1 | 8A | 82 BPM | ||
| The Slipstreams of Time (Bonus Track) | Jack Dalton | D Major | 0 | 10B | 130 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| Vincent & Marcia | Thomas Morse | E♭ Minor | 0 | 2A | 81 BPM |