On December 31, 1971, the song "Le Le Le Naa Raja" was released by Ghantasala, L. R. Eswari. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Prem Nagar". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. In terms of popularity, Le Le Le Naa Raja is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le Le Le Naa Raja by Ghantasala, L. R. Eswari having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Banzare Banzo | Vandemataram Srinivas, Late Yadagiri, Guda Anjayya, Bhanuri Sathyanarayana, Sadasiva, Mande Satyam | D♭ Minor | 7 | 12A | 104 BPM | ||
| Vayase Tholi | S. P. Balasubrahmanyam, S. Janaki | D♭ Minor | 7 | 12A | 173 BPM | ||
| Jeevithame Saphalamu | Jikki, Samudrala, T. N. Ramaihadas | F Minor | 5 | 4A | 103 BPM | ||
| Keechurallu | Usha Uthup | E Minor | 7 | 9A | 160 BPM | ||
| Laloo Daravaja Lasker | S. P. Sailaja, M. M. Keeravaani, Sahithi | A Minor | 5 | 8A | 97 BPM | ||
| Sannajaajuloi | S. P. Balasubrahmanyam, L. R. Eswari | A Major | 7 | 11B | 124 BPM | ||
| Cheera Kavala Pilla Gare Kavala | Haricharan, Radhika Thilak | E Major | 7 | 12B | 133 BPM | ||
| Theli Manchu | Vani Jairam | E Minor | 7 | 9A | 120 BPM | ||
| Sundarangulanu | A. M. Rajah, Ghantasala, P. Leela | G Minor | 3 | 6A | 127 BPM | ||
| Vinnaava Yesodhamma | Ghantasala, P. Leela | C Major | 8 | 8B | 84 BPM | ||
| Bhadram Be Carefull | Sri Maruthi, K. Chakravarthy, Sirivennela Seetharama Sastry | G Major | 4 | 9B | 99 BPM | ||
| Naa Madi Ninnu (Oh Priyathama) | Mohammed Rafi, S. Janaki | F♯ Major | 7 | 2B | 94 BPM | ||
| Entha Sepaina | Chitra, R. D. Burman, Sirivennela Seetharama Sastry | G Major | 9 | 9B | 66 BPM | ||
| Kanda Gelichindhi | V. Ramakrishna, P. Susheela | D Major | 6 | 10B | 157 BPM | ||
| Bhali Bhali Devaa | Madhavapeddi Sathyam, Pingali Nagendrarao | A♭ Major | 6 | 4B | 128 BPM | ||
| Aaku Chaatu Pindhe | S. P. Balasubrahmanyam, P. Susheela | A♭ Minor | 8 | 1A | 177 BPM | ||
| Veyi Shubhamulu | S. Varalakshmi | F Major | 6 | 7B | 88 BPM | ||
| Siri Malli Sogasu | A. M. Rajah, P. Susheela | C Minor | 7 | 5A | 91 BPM | ||
| Maathina Malla | Pendyala Nageswara Rao, L. R. Eswari | A Minor | 5 | 8A | 65 BPM | ||
| Un peru Ethanai | Kanmaniraja, Kavinger Mukilan, L. R. Eswari | D♭ Major | 6 | 3B | 95 BPM | ||
| Anatha Bhranthi Yena | Jamuna Rani, Samudrala Sr. | A♭ Major | 6 | 4B | 128 BPM | ||
| Jeevamu Neeve Kadaa | P. Susheela, Samudrala Sr., Kosaraju, Palagummi Padmaraju, Arudra | G Major | 7 | 9B | 86 BPM | ||
| Sarigama | S. P. Balasubrahmanyam, K. S. Chithra | G Minor | 7 | 6A | 177 BPM | ||
| Gopala Baala Ninne | Mohammed Rafi, P. Susheela, Dr. C. Narayana Reddy | D Minor | 8 | 7A | 140 BPM | ||
| Virisindhee Vasanthaganam | K.S. Chitra | F♯ Major | 8 | 2B | 138 BPM |