Surekha, Shamitha's ' "Sri Hariya Rani" was released on its scheduled release date, January 8, 2017. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Sri Hariya Rani's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Surekha, Shamitha's "Goravanahalli Mahalakshmi Namadhyana" album is number 3 out of 16. On top of that, India appears to be the country where this track was created. In terms of popularity, Sri Hariya Rani is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sri Hariya Rani by Surekha, Shamitha to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Srisaila Shikarana | Garjana | E♭ Minor | 4 | 2A | 147 BPM | ||
| Andiabbe | M.D.Anand, Surekha | G Minor | 9 | 6A | 120 BPM | ||
| Anandamanandha | Thandri Sannidhi Ministries | E Minor | 5 | 9A | 120 BPM | ||
| Mangala Roopa | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Thappugalella Pariharisuva | Anantha Kulkarni | D♭ Major | 4 | 3B | 129 BPM | ||
| Konda Gattu Guttameeda | A. Ramadevi | A♭ Minor | 8 | 1A | 105 BPM | ||
| Sirigalla Sri Lakshmi Narasimha | Jadala Ramesh | A♭ Major | 6 | 4B | 80 BPM | ||
| Bhanga Ghare | Aman, Bilhike | A♭ Major | 9 | 4B | 78 BPM | ||
| Tola Bandaw Dai | Dukalu Yadav | A♭ Major | 8 | 4B | 115 BPM | ||
| Jivan Sathi | Vivek Sharma, Monika Verma | A♭ Major | 9 | 4B | 79 BPM | ||
| Teri Ban Jayegi | Piyusha-Kailash Anuj | A Minor | 5 | 8A | 150 BPM | ||
| Meghare Megha Kahijaa Megha | Nissan Mishra | D Minor | 6 | 7A | 67 BPM | ||
| Neenamame | G Balakrishna Prasad | C Minor | 5 | 5A | 156 BPM | ||
| Raat Din Kaav Kaav | Alka Chandrakar | E Major | 8 | 12B | 124 BPM | ||
| ILU ILU Kore Hamar Mon | Ranjit Mahto, Aj Lipini | D Major | 8 | 10B | 110 BPM | ||
| Jhokau Mor Newata | Alka Chandrakar | F Major | 9 | 7B | 90 BPM | ||
| Jajipula Panditlo | P. Susheela, Raj Seetharam | C Minor | 5 | 5A | 116 BPM | ||
| Yedo Okati Ayyappa | Ganga Puthra Narsing Rao | A Major | 8 | 11B | 100 BPM | ||
| Hoove Hoovina Maale | K. Yuvaraj | A♭ Major | 7 | 4B | 136 BPM | ||
| Devadundubhulathoda | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Om Om Om (Ninnu Nammi) | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 100 BPM | ||
| Thaarala Naduma | Gangaputra Narasinga Rao | B♭ Minor | 7 | 3A | 84 BPM | ||
| Balumama Aalay Rakhanila | Shakuntala Jadhav | B♭ Minor | 5 | 3A | 94 BPM | ||
| Aadishakti Haranarasi | Surekha | D♭ Major | 5 | 3B | 88 BPM | ||
| Jagavanne Belagu | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM |