The Fall's ' "Behind the Counter" was released on its scheduled release date, May 3, 1994. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Fall's "Middle Class Revolt" album is number 3 out of 30. Based on our statistics, Behind the Counter's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Behind the Counter by The Fall to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Independence Day | Comsat Angels | A Major | 6 | 11B | 129 BPM | ||
| North By North | The Bats | E♭ Major | 8 | 5B | 132 BPM | ||
| I Believe - 2008 Remastered Version | Buzzcocks | D♭ Major | 9 | 3B | 160 BPM | ||
| The Osmonds | Denim | B Minor | 8 | 10A | 163 BPM | ||
| 14th Floor | Television Personalities | D Major | 6 | 10B | 92 BPM | ||
| She's Gone | The Train Set | D♭ Minor | 8 | 12A | 120 BPM | ||
| The Light at the End of the Tunnel (Is the Light of an Oncoming Train) | Half Man Half Biscuit | A♭ Major | 9 | 4B | 124 BPM | ||
| Take Me to the Other Side | Spacemen 3 | E Minor | 8 | 9A | 144 BPM | ||
| Reflections in a Flat | Half Man Half Biscuit | A Major | 4 | 11B | 95 BPM | ||
| Billy Two | The Clean | B♭ Major | 7 | 6B | 115 BPM | ||
| Abandon | That Petrol Emotion | B Major | 8 | 1B | 102 BPM | ||
| Victoria | The Fall | G Major | 8 | 9B | 148 BPM | ||
| Vito Satan | Campag Velocet | E Major | 8 | 12B | 133 BPM | ||
| Does This Hurt? | The Boo Radleys | A Major | 9 | 11B | 118 BPM | ||
| Puss | The Jesus Lizard | B♭ Minor | 8 | 3A | 129 BPM | ||
| Safesurfer | Julian Cope | D♭ Minor | 6 | 12A | 78 BPM | ||
| Back In Denim | Denim | G Major | 10 | 9B | 131 BPM | ||
| Outside the Trains Don't Run on Time | Gang Of Four | C Major | 9 | 8B | 127 BPM | ||
| Jenny Ondioline (Part One) | Stereolab | F♯ Major | 8 | 2B | 144 BPM | ||
| Spoilt Victorian Child - Remastered | The Fall | E Major | 9 | 12B | 184 BPM | ||
| Light Aircraft On Fire | The Auteurs | A Major | 8 | 11B | 146 BPM | ||
| Mary Anne | Spacemen 3 | F♯ Major | 9 | 2B | 107 BPM | ||
| Twenty Four Minutes from Tulse Hill | Carter The Unstoppable Sex Machine | G Major | 8 | 9B | 117 BPM | ||
| Reynard The Fox | Julian Cope | F Major | 7 | 7B | 150 BPM | ||
| Sleeping Gas | The Teardrop Explodes | G Minor | 9 | 6A | 132 BPM |