Ramesh Mali, Sarita Kharwal's ' "Kanku Re Pagliya Padhare Khimaj Ma" was released on its scheduled release date, October 1, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ramesh Mali, Sarita Kharwal's "Kanku Pagle Padhariya Khimaj Ma" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Kanku Re Pagliya Padhare Khimaj Ma is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kanku Re Pagliya Padhare Khimaj Ma by Ramesh Mali, Sarita Kharwal to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dada Pitar Aaeye | Sunil Atawla | B Minor | 9 | 10A | 69 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM | ||
| Katan Pya Kashala | Mehboob Mirjat | A♭ Major | 10 | 4B | 87 BPM | ||
| Braj Raj Kuwar Ne Dhar Liyo | Rajendra Vyas | A♭ Major | 8 | 4B | 208 BPM | ||
| Mhari Lal Banni | Tara Purohit, Ramesh Mali | F Minor | 9 | 4A | 100 BPM | ||
| Nod Shanzaan Pa Mahpar | Noor Khan Bizanjo | F♯ Major | 8 | 2B | 114 BPM | ||
| Nirdhan Ro Dhan Sacho | Prakash Mali | D♭ Major | 8 | 3B | 108 BPM | ||
| Hey Maiya Mori | Ravindra Singh Jyoti | F♯ Major | 9 | 2B | 160 BPM | ||
| Chal Baba Ke Dwar | Satish | B Minor | 8 | 10A | 90 BPM | ||
| Jogiya Vann Ke Varagan Aayi | Karnail Rana | F♯ Minor | 8 | 11A | 102 BPM | ||
| Aha Bisari Gelau Dani | Dilip Darbhangiya | B Major | 4 | 1B | 148 BPM | ||
| Desuri Me Nama Mataji Ro Devro | Ramesh Mali | A Major | 9 | 11B | 164 BPM | ||
| Tach En ma Punajba | Meeral Baloch | E♭ Minor | 7 | 2A | 110 BPM | ||
| Sanwariya Me To Aayo Dwar | Mukesh Mahadeva | F Major | 9 | 7B | 150 BPM | ||
| Ram Naam Ladudo Gopal | Moinuddin Manchala | E♭ Minor | 9 | 2A | 95 BPM | ||
| Dadu Mhra Ser Ka Taj | Jeta Goswami | A♭ Major | 8 | 4B | 140 BPM | ||
| Prakat Kudhe Se Ho Gaye Kudeshwar Bhagwan Bundeli | Chandra Bhushan Pathak | A♭ Major | 10 | 4B | 140 BPM | ||
| Mhane Chod Mat Javo Raja Bharatri | Sant Kanhaiyalal | E♭ Minor | 9 | 2A | 122 BPM | ||
| Manav Mandir Chalo | Satish | A♭ Major | 8 | 4B | 80 BPM | ||
| Banni Mharo Lagan Tale | Laxmi Khandelwal, Ramesh Mali | A Major | 10 | 11B | 90 BPM | ||
| Goga Ji Ki Aarti | Jai Goga Jaharveer Ji | B♭ Minor | 7 | 3A | 130 BPM | ||
| Sagi tane aadi chodala sagi tane naagi | Khulla Fagan | A♭ Major | 9 | 4B | 98 BPM | ||
| सांवरिया सेठ का भजन | Jagdish Vaishnav | B Minor | 10 | 10A | 78 BPM | ||
| Bhura Ne Bhakar Mein | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 96 BPM |