"Mass Effect Theme" by Jack Wall, Sam Hulick, EA Games Soundtrack had its release date on November 20, 2007. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Mass Effect Theme's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Mass Effect (EA Games Soundtrack)" album is number 1 out of 37. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Mass Effect Theme's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mass Effect Theme by Jack Wall, Sam Hulick, EA Games Soundtrack to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Splinter Cell: Conviction | Amon Tobin, Kaveh Cohen, Michael Nielsen, Andrew Skeet, London Philharmonic Orchestra | F♯ Minor | 4 | 11A | 95 BPM | ||
| Chrono Cross Live | Czech Philharmonic Chamber Orchestra & Kuehn's Mixed Choir | F Major | 5 | 7B | 104 BPM | ||
| Further | Brian Tyler, Serena McKinney | A Minor | 3 | 8A | 90 BPM | ||
| Shamburger | Todd Masten, Semitone Media Group | F Major | 4 | 7B | 80 BPM | ||
| The Vagabond | Marcin Przybyłowicz | D Minor | 1 | 7A | 130 BPM | ||
| Opening Credits | Michael McCann | D Minor | 6 | 7A | 90 BPM | ||
| Kaer Morhen | Marcin Przybyłowicz | D Minor | 3 | 7A | 140 BPM | ||
| Dishonored 2 Main Theme | Daniel Licht | C Minor | 3 | 5A | 141 BPM | ||
| Bloodborne | SIE Sound Team | G Major | 4 | 9B | 164 BPM | ||
| The Road to Shambhala | Carmen Rizzo | E Minor | 5 | 9A | 90 BPM | ||
| Years of Training - Part 1 - Motherland | The Flight | B Major | 6 | 1B | 186 BPM | ||
| Grand Theft Auto IV: Soviet Connection | Michael Hunter, Andrew Skeet, London Philharmonic Orchestra | A♭ Major | 5 | 4B | 146 BPM | ||
| The World on Her Shoulders (feat. Julie Elven) | Joris de Man, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Journey Beyond The Galaxy (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | C Minor | 4 | 5A | 130 BPM | ||
| Elves At The Mercy Of Man | EA Games Soundtrack | B Major | 1 | 1B | 104 BPM | ||
| Eden Prime | Jack Wall, EA Games Soundtrack | A♭ Major | 6 | 4B | 134 BPM | ||
| Return of the Omen | Steve Jablonsky, Gears of War | B Minor | 8 | 10A | 92 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Peace and Order by Force | Stephen Barton | C Major | 7 | 8B | 196 BPM | ||
| The Betrayal | EA Games Soundtrack | A Minor | 6 | 8A | 61 BPM | ||
| The Road Most Travelled (From "The Elder Scrolls III: Morrowind Original") | Collosia | G Minor | 2 | 6A | 140 BPM | ||
| The Last Metroid | Sam Dillard | F♯ Major | 4 | 2B | 130 BPM | ||
| World of Warcraft: Seasons of War | Jason Hayes, Andrew Skeet, London Philharmonic Orchestra | F♯ Minor | 2 | 11A | 108 BPM | ||
| Lhikan's Death / Vakama's Power Found | Nathan Furst | A♭ Major | 4 | 4B | 71 BPM | ||
| Metal Gear Solid: Sons of Liberty Theme | Harry Gregson-Williams, Andrew Skeet, London Philharmonic Orchestra | E Minor | 4 | 9A | 139 BPM |