Michael Gira's 'Why I Ate My Wife' had a release date set for June 9, 1995. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 9 out of 10 in Drainland by Michael Gira. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Why I Ate My Wife is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Why I Ate My Wife by Michael Gira is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roasted Cadaver | Scorpion Wind | C Major | 7 | 8B | 127 BPM | ||
| Tape Deck Ghost | The Microphones | B Minor | 4 | 10A | 118 BPM | ||
| Sleep Alone | Rowland S. Howard | D Major | 10 | 10B | 97 BPM | ||
| The Cruelty of the Heavens | Scorpion Wind | B♭ Major | 6 | 6B | 86 BPM | ||
| Invocation | Boyd Rice and Friends | F♯ Major | 4 | 2B | 112 BPM | ||
| Victim | Bodychoke | D Major | 10 | 10B | 115 BPM | ||
| Offenbarung und Untergang 6 | Etant Donnés, Michael Gira | D Major | 8 | 10B | 118 BPM | ||
| V. Universe | The Microphones | C Minor | 4 | 5A | 109 BPM | ||
| Death Is the Martyr of Beauty | Death In June | A Minor | 3 | 8A | 113 BPM | ||
| Jim | Michael Gira | D Minor | 3 | 7A | 82 BPM | ||
| Black Wing | Black Wing | C Major | 7 | 8B | 140 BPM | ||
| Eden Prison | Michael Gira | B♭ Major | 4 | 6B | 115 BPM | ||
| Bite The Bolster | Ramleh | F Major | 0 | 7B | 114 BPM | ||
| Lost Wisdom Pt. 2 | Mount Eerie | E♭ Minor | 3 | 2A | 81 BPM | ||
| The Safe Way | The Legendary Pink Dots | A♭ Major | 6 | 4B | 125 BPM | ||
| Microphones In The Trees | Thee Silver Mountain Reveries | F♯ Major | 4 | 2B | 110 BPM | ||
| Summer Ends - Against the Modern World Version | Sol Invictus | E Minor | 7 | 9A | 82 BPM | ||
| Love Is The Heart Of Everything | Dog Faced Hermans | B♭ Major | 10 | 6B | 176 BPM | ||
| Sixth of May | Cranes | B♭ Major | 7 | 6B | 180 BPM | ||
| In the Rain - In the Rain Version | Sol Invictus | C Major | 6 | 8B | 124 BPM | ||
| A Catholic Skin | The Birthday Party | F♯ Major | 4 | 2B | 120 BPM | ||
| If You… | Michael Gira | C Major | 4 | 8B | 168 BPM | ||
| Slug Bait, Pt. 1 - 32AR | Throbbing Gristle | A♭ Major | 4 | 4B | 125 BPM | ||
| Nakedness of Need | Pharmakon | B♭ Minor | 1 | 3A | 69 BPM | ||
| When Mama Was Moth | Cocteau Twins | D♭ Major | 5 | 3B | 116 BPM |