On September 12, 2008, the song "Tillana" was released by Subhiksha Rangarajan. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Subhiksha Rangarajan's "Khamas" album is number 11 out of 12. Based on our statistics, Tillana's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tillana by Subhiksha Rangarajan to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Narimani | Subhiksha Rangarajan | A♭ Major | 6 | 4B | 150 BPM | ||
| Devaraja Sevyamana (Kalabhairavastaka) | Goturi, Ajay Warriar | G Major | 5 | 9B | 143 BPM | ||
| Pilichina Paliketi | Karunya | A Major | 6 | 11B | 103 BPM | ||
| Mahalakshmi Astakam In Tamil - Language: Tamil; Genre: Amman-Mahalakshmi | Bombay Sisters | F♯ Major | 2 | 2B | 134 BPM | ||
| Dhanyalakshmi Namo (From "Sri Mahalakshmi Divya Gaanam") | Vijayalakshmi Sarma, B.Ramana, Sindhu, Usha Raj | C Major | 7 | 8B | 96 BPM | ||
| Jaya Sri Ganesh | V. Anand | C Major | 2 | 8B | 143 BPM | ||
| Mangala Roopini Dhukka Nivarana Ashtakam - Female Vocals | Mylai Sisters | C Major | 7 | 8B | 120 BPM | ||
| Naanenu Maadideno | Puttur Narasimha Nayak, Purandara Dasaru | B♭ Major | 4 | 6B | 150 BPM | ||
| Rangapuravihara - Brindavana Saranga - Rupakam | Lakshmi Rangarajan, Subhiksha Rangarajan | E Minor | 3 | 9A | 81 BPM | ||
| Athma Rama Anandha Ramana - Adi | Udaiyalur Kalyanaraman | A Minor | 3 | 8A | 120 BPM | ||
| Subramanya Ashtakam | Hari Achuta Rama Sastry | B Minor | 3 | 10A | 76 BPM | ||
| Sri Anjaneya - Slokam | Parupalli Ranganath, Ramana | E Minor | 2 | 9A | 92 BPM | ||
| Shabiri Girisa Ayyappa | Partha Saradhi | F Minor | 5 | 4A | 102 BPM | ||
| En Appan Allava En Thaayum Allava Version 1 | Sivasri Skandaprasad | B♭ Minor | 7 | 3A | 158 BPM | ||
| Ramachandraya | Parupalli Sri Ranganath | B♭ Major | 9 | 6B | 113 BPM | ||
| Raghavendra Raghavendra | Puttur Narasimha Nayak, Kusuma | D♭ Minor | 7 | 12A | 174 BPM | ||
| Radha Sametha Krishna | Rahul Vellal | E♭ Minor | 4 | 2A | 109 BPM | ||
| Ratisukhasare | Subhiksha Rangarajan, L. Krishnan, Jayadeva | C Major | 4 | 8B | 178 BPM | ||
| Sapthagiri Sundhara | Agni Raj, Somayajula Murty, Usha Raj | B Minor | 5 | 10A | 122 BPM | ||
| Narasimha Mangalastakam | Bhaktiranjan | A Major | 3 | 11B | 78 BPM | ||
| Datta Stavam | Sri Ganapathy Sachchidananda Swamiji | B♭ Major | 2 | 6B | 85 BPM | ||
| Kaithalai Nirai Kani | Mahanadhi Shobana | D♭ Minor | 5 | 12A | 104 BPM | ||
| Salangai Katti | Priya, Subhiksha Rangarajan | C Major | 6 | 8B | 102 BPM | ||
| Dhyanam - Sri Raja Rajeshi | Sri Ganapathy Sachchidananda Swamiji | F Major | 3 | 7B | 83 BPM | ||
| Devaki Nandana Krishna | RG Sarathee, Sravya Attili, Dr. Radhagopee | E Major | 5 | 12B | 90 BPM |