Ravinder Singh Jyoti's ' "Ayodhya Hai Ram Ki" was released on its scheduled release date, January 23, 2019. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Ayodhya Hai Ram Ki and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ayodhya Hai Ram Ki's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ayodhya Hai Ram Ki by Ravinder Singh Jyoti is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pathre Ke Bhola Ahan | Madhav Ray | F♯ Major | 7 | 2B | 72 BPM | ||
| Ek Araj Mari Momaji | Viru Nehad, Rekha Parmar | F♯ Major | 7 | 2B | 160 BPM | ||
| Ambe Ambe O Maiya | Dukalu Yadav | B♭ Major | 9 | 6B | 96 BPM | ||
| सासू को हरबबी | Sabud Khan Pahat, Sakir Rupadiya | C Minor | 10 | 5A | 130 BPM | ||
| Mere Mama Ronziya Mama | Narender Ranjan | G Minor | 7 | 6A | 111 BPM | ||
| Kesh Khoil Diyau | Amit Jha | G Minor | 6 | 6A | 100 BPM | ||
| Delako Jawab Doctorwa | Ajay Aaditya, Shaniya Sangam | E Major | 10 | 12B | 112 BPM | ||
| Pyar Izhaar Kari | Pawan Singh, Khushboo Jain | F Minor | 9 | 4A | 91 BPM | ||
| Hoth Ke Lalaiya | Pankaj Matalbi Yadav, Neha Singh Nistha | E Major | 10 | 12B | 127 BPM | ||
| Ejoriya Ke Chand | Birendra Jha | B Minor | 9 | 10A | 137 BPM | ||
| Jabsu Tu Chodo | Waseem Dehangal, Aslam Singer Mewati | E♭ Major | 10 | 5B | 204 BPM | ||
| Rowele Lakhan Ji | Shilpi Raj | F Minor | 8 | 4A | 95 BPM | ||
| Chodi Ke Jani Jaihe Re - Vidai Geet | Pawan Singh | B♭ Major | 10 | 6B | 158 BPM | ||
| Tor Jawani Dekh Ke Hamra | Guddu Rangila, Sakshi | D♭ Major | 8 | 3B | 81 BPM | ||
| Aankhi Ke Putariya | Hema Pandey | E♭ Minor | 9 | 2A | 106 BPM | ||
| Bani Jaale Dhhaal Chunari | Ravindra Singh Jyoti | A♭ Minor | 9 | 1A | 130 BPM | ||
| Ved Banun Lavalay Mala | Gokul Ambildhage | B Minor | 9 | 10A | 137 BPM | ||
| Maine Suni Sarpu | Md Munfed Ahmed | C Minor | 9 | 5A | 120 BPM | ||
| Tikuli Chhinaro Lebe Kiya | Aashish Yadav | B Minor | 9 | 10A | 137 BPM | ||
| Holi Ke Bahar Ke Maza | Guddu Rangila | B♭ Major | 8 | 6B | 89 BPM | ||
| Pagla Ke Bhuil Jaihe Ge | Sandeep Suman, Rinku Yadav | G Major | 9 | 9B | 140 BPM | ||
| Ja Raha Hu Lautkar Wapas Kabhi Na Aaunga | Arshad Kamli | F♯ Major | 9 | 2B | 156 BPM | ||
| Dar Barkat De | Daim Gill, Tehmina Tariq | A♭ Major | 8 | 4B | 106 BPM | ||
| Nati Geet Mala -1 | Dr Madan Jhalta, Rohini Dogra | A♭ Major | 10 | 4B | 144 BPM | ||
| Thari Moh Maya Ne Chod Krodh Ne Taj Re | Rekha Parmar, Viru Nehad | F Major | 8 | 7B | 95 BPM |