"Osaka" by Emily A. Sprague had its release date on October 10, 2025. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 2 out of 7 in Cloud Time by Emily A. Sprague. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Osaka is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Osaka by Emily A. Sprague is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schauer der Musen | Segensklang | A Major | 3 | 11B | 94 BPM | ||
| Lowland Tropic | Carrier | D♭ Major | 1 | 3B | 130 BPM | ||
| Etude 6 | Ø, Mika Vainio | B Minor | 0 | 10A | 62 BPM | ||
| Inertia & Refugia | Steve Hauschildt | B Major | 4 | 1B | 58 BPM | ||
| Perpetual Adoration | Julianna Barwick, Mary Lattimore | F♯ Major | 4 | 2B | 90 BPM | ||
| Opera | Sam Prekop | D♭ Minor | 6 | 12A | 118 BPM | ||
| Holiday In The Kitchen | Loris S. Sarid | E Major | 0 | 12B | 133 BPM | ||
| somehow | claire rousay | C Major | 3 | 8B | 80 BPM | ||
| Chamber | Ida Urd, Ingri Høyland | E Minor | 2 | 9A | 139 BPM | ||
| Night Forgives Those Black As Her | feeo | E♭ Major | 1 | 5B | 87 BPM | ||
| Cholombia, MTY | Debit | C Major | 7 | 8B | 82 BPM | ||
| Fracking Starlite | M. Sage | B♭ Major | 4 | 6B | 145 BPM | ||
| Skyline I | Wednesday Knudsen | D♭ Major | 0 | 3B | 132 BPM | ||
| Billows, like a shore | Walt McClements | A Major | 2 | 11B | 74 BPM | ||
| Piano 1 | Emily A. Sprague | D Minor | 0 | 7A | 74 BPM | ||
| With Trees Where We Can See | KMRU | C Major | 0 | 8B | 115 BPM | ||
| Beholden To | Hannah Frances | B♭ Major | 2 | 6B | 102 BPM | ||
| A duck with green feet | Lia Kohl, Zander Raymond | G Major | 2 | 9B | 119 BPM | ||
| Edwardian Roadmender - Tarmac Mix | The Black Dog | G Major | 2 | 9B | 68 BPM | ||
| Loputon | Ø, Mika Vainio | B Minor | 0 | 10A | 62 BPM | ||
| A World Beyond Lashes | Malibu | B♭ Minor | 2 | 3A | 96 BPM | ||
| Withdrawn Into The Source | Kali Malone, Drew McDowall | C Major | 2 | 8B | 100 BPM | ||
| Lactonic Crush | Malibu | B♭ Minor | 2 | 3A | 96 BPM | ||
| Wild Calmness | Tomasz Bednarczyk | A♭ Major | 2 | 4B | 93 BPM | ||
| Canary | Jogging House | F Minor | 1 | 4A | 62 BPM |