Conrad Leonard, New Century Chamber Orchestra, Sidney Torch's 'Watersmeet' had a release date set for January 1, 2004. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Orchestral Music (English) - Wood, A. / Torch, S. / Coates, E. / Thorne, D. / Richardson, C. (Country Living - A Musical Tour of Rural Memories)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Watersmeet is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Watersmeet by Conrad Leonard, New Century Chamber Orchestra, Sidney Torch having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teorias En La Mente | Sirenas Celestiales | B Minor | 1 | 10A | 121 BPM | ||
| Take The "A" Train | Annunzio Paolo Mantovani | E♭ Major | 3 | 5B | 133 BPM | ||
| silence | eire music | A♭ Major | 2 | 4B | 76 BPM | ||
| The Music Man - Overture | New York City Opera Orchestra | C Major | 3 | 8B | 134 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| The Waltzing Bugle Boy | The Swingin' Marchin' Band, Ray Martin | B♭ Major | 4 | 6B | 97 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Autumn Breeze | SaVaa | C Major | 2 | 8B | 107 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Goodbye, Maria (How Can Love Survive) | Irwin Kostal | A♭ Minor | 1 | 1A | 86 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Let Me Call You Sweetheart / A Bird In A Gilded cage (Old Tyme Waltz) | Phil Kelsall | F Major | 1 | 7B | 90 BPM | ||
| What is There to Say | Mitchell Ayres & His Orchestra | F Major | 2 | 7B | 82 BPM | ||
| 月亮代表我的心 | Shanghai Philharmonic Orchestra | D♭ Major | 3 | 3B | 78 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
| Sally in Our Alley | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | G Major | 1 | 9B | 115 BPM | ||
| B♭ Major | 2 | 6B | 94 BPM | ||||
| Rosen Aus Dem Süden | Walzer Orchestra | F Major | 3 | 7B | 98 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| The Music Man: Till There Was You | Meredith Willson Orchestra, Meredith Willson | A Major | 2 | 11B | 93 BPM | ||
| Medley from "Oklahoma!" | Orlando Pops Orchestra, Andrew Lane | A♭ Major | 2 | 4B | 133 BPM | ||
| The Red Sombrero | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 111 BPM | ||
| Miške, MKČ 101: V. Reversed Recapitulation, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Beat and Ways | Scottie Nash | G Major | 1 | 9B | 60 BPM |