Cotton Jones's 'Good In Every Word' had a release date set for February 22, 2011. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 4 in the song's album "Sit Beside Your Vegetables". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Good In Every Word's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Good In Every Word by Cotton Jones having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When We Fall | Phosphorescent | F♯ Major | 6 | 2B | 93 BPM | ||
| Hands | The Dutchess & The Duke | A Minor | 5 | 8A | 141 BPM | ||
| Walls of White | Liz Cooper, The Stampede | F♯ Major | 2 | 2B | 89 BPM | ||
| It May Never Pass Again | Cotton Jones | E Minor | 6 | 9A | 110 BPM | ||
| Lsd | Tobacco City | D Major | 4 | 10B | 100 BPM | ||
| I Don't Suppose (Unrelaxed) | Cotton Jones | D Major | 3 | 10B | 130 BPM | ||
| To Connect | Floating Action | D♭ Minor | 7 | 12A | 96 BPM | ||
| Little Stone | The Everywheres | D Major | 6 | 10B | 105 BPM | ||
| Scorpio | The Dutchess & The Duke | G Major | 4 | 9B | 124 BPM | ||
| Mexico | Tim Hill | D Major | 5 | 10B | 109 BPM | ||
| Barracuda | Drug Cabin | A Major | 6 | 11B | 111 BPM | ||
| Trembling Hand | The Everywheres | E Major | 1 | 12B | 132 BPM | ||
| Hanging Around My Door | Bonny Doon | E♭ Major | 4 | 5B | 81 BPM | ||
| Voyager | Jeffrey Silverstein | E Major | 6 | 12B | 100 BPM | ||
| I'll Follow You | White Fence | D Major | 5 | 10B | 81 BPM | ||
| Rare Feeling | Twain | F Major | 1 | 7B | 135 BPM | ||
| The Bullshit Century Pt. 1 | Dick Stusso | D Major | 4 | 10B | 96 BPM | ||
| Sand Mountain | New Madrid | E Major | 5 | 12B | 80 BPM | ||
| Special | Alex Maas | B♭ Major | 1 | 6B | 110 BPM | ||
| Till the Moon Don't Shine | Tobacco City | D♭ Major | 3 | 3B | 72 BPM | ||
| Call My Name | Matt Costa | D Major | 4 | 10B | 61 BPM | ||
| Fly High | Jay Farrar, Will Johnson, Anders Parker, Yim Yames | F♯ Minor | 4 | 11A | 129 BPM | ||
| Wandering | The Babies | D Major | 4 | 10B | 82 BPM | ||
| Prank Calls | Kelley Stoltz | B Major | 6 | 1B | 117 BPM | ||
| Walk Along Cattle Drives | Jesse Woods | C Major | 4 | 8B | 131 BPM |