"Concentric Circles" by John Surman, Nelson Ayres, Rob Waring had its release date on January 19, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Surman, Nelson Ayres, Rob Waring's "Invisible Threads" album is number 10 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concentric Circles's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concentric Circles by John Surman, Nelson Ayres, Rob Waring to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude | John Abercrombie, Marc Johnson, Peter Erskine, John Surman | C Major | 1 | 8B | 178 BPM | ||
| Trieste My Love | Abdullah Ibrahim | C Minor | 0 | 5A | 46 BPM | ||
| Portrait Of A Romantic | John Surman | C Minor | 1 | 5A | 152 BPM | ||
| Modul 29_14 | Nik Bärtsch | F♯ Major | 4 | 2B | 196 BPM | ||
| Tide of Trepidation - Live | Esbjörn Svensson Trio | G Minor | 4 | 6A | 130 BPM | ||
| Remembrance II | Ketil Bjørnstad, Tore Brunborg, Jon Christensen | D Minor | 1 | 7A | 106 BPM | ||
| Where's Mo? | Anne Vanschothorst, Saskia Laroo | E♭ Minor | 0 | 2A | 131 BPM | ||
| Oslo | Håkon Kornstad | C Major | 0 | 8B | 119 BPM | ||
| Tama-Tama | Omar Sosa, Seckou Keita | G Minor | 4 | 6A | 153 BPM | ||
| New Old Age | Peter Erskine, Palle Danielsson, John Taylor | B♭ Minor | 2 | 3A | 122 BPM | ||
| Shitoshito (Raining Quietly) | Helge Lien Trio | F Major | 0 | 7B | 107 BPM | ||
| Warrior Elephants Flying | Oded Tzur | G Major | 0 | 9B | 79 BPM | ||
| On Stream | Nils Petter Molvær | B♭ Major | 1 | 6B | 200 BPM | ||
| On Every Corner | Tord Gustavsen Quartet | C Minor | 1 | 5A | 129 BPM | ||
| Les berceaux | Jean-Louis Matinier, Kevin Seddiki | A Minor | 0 | 8A | 83 BPM | ||
| Afro Cello | Danny Keane | G Minor | 3 | 6A | 160 BPM | ||
| La Llorona | Charles Lloyd | A Minor | 2 | 8A | 100 BPM | ||
| Come With Me | Myriam Alter | D♭ Major | 3 | 3B | 83 BPM | ||
| Ashes to Gold - Pt. 3 | Avishai Cohen, Yonathan Avishai, Barak Mori, Ziv Ravitz | A Minor | 0 | 8A | 71 BPM | ||
| Our Father | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Major | 2 | 10B | 109 BPM | ||
| Doxology | John Surman | G Major | 2 | 9B | 91 BPM | ||
| Arietta | Jan Garbarek Group | E♭ Major | 1 | 5B | 126 BPM | ||
| Lya | Yonathan Avishai | C Major | 1 | 8B | 105 BPM | ||
| Per Ennio 1 | Eric Vloeimans, Jörg Brinkmann | E♭ Minor | 1 | 2A | 81 BPM | ||
| Reste - Var. | Colin Vallon, Patrice Moret, Julian Sartorius | C Minor | 0 | 5A | 74 BPM |