"嵯峨の秋" by 米川敏子, 米川親利 had its release date on March 17, 2021. This song appears to be safe for all ages as it is not explicit. There is only one song in 米川敏子~箏曲の世界, so we believe that "嵯峨の秋" is a single. In terms of popularity, 嵯峨の秋 is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 嵯峨の秋 by 米川敏子, 米川親利 is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I SAY WHO | 惣領 智子 | C Major | 7 | 8B | 113 BPM | ||
| サンセット・フライト | Yuji Ohno, ユー & ザ・エクスプロージョン・バンド | A♭ Major | 8 | 4B | 110 BPM | ||
| Shimabara No Komori-Uta | 米川敏子, 山屋 清 | B Minor | 4 | 10A | 134 BPM | ||
| Let's Get Together | 益田幹夫 | A Minor | 6 | 8A | 147 BPM | ||
| Flower Dance | Michel Gonet | A Major | 9 | 11B | 91 BPM | ||
| Sailing Along | Trevor Bastow | D Major | 4 | 10B | 97 BPM | ||
| Yagi-Bushi | 米川敏子, 山屋 清 | A Minor | 2 | 8A | 132 BPM | ||
| Nishinjou-Bushi | 米川敏子, 山屋 清 | A Minor | 2 | 8A | 132 BPM | ||
| Lovely Afternoon | KHAN JAMAL | A♭ Major | 8 | 4B | 175 BPM | ||
| Medium Cool - Remastered | Piero Umiliani | F Major | 4 | 7B | 102 BPM | ||
| 八段 | 米川敏子 | C Minor | 2 | 5A | 107 BPM | ||
| Spell (Dolce Mattatoio) M1 | Claudio Tallino | F Minor | 7 | 4A | 129 BPM | ||
| 明日に架ける橋 | Masahiko Sato, 稲垣次郎とビッグ・ソウル・メディア | A♭ Major | 3 | 4B | 80 BPM | ||
| Soul Bamboo | Minoru Muraoka | G Minor | 4 | 6A | 154 BPM | ||
| ファム・ファタール〜妖婦 (2019 Remastering) | Haruomi Hosono, イエロー・マジック・バンド | D Minor | 8 | 7A | 101 BPM | ||
| Constant Wind | Johnny Pate | A Minor | 5 | 8A | 81 BPM | ||
| 祇園小唄 | 仲宗根美樹, 米川敏子 | G Minor | 3 | 6A | 113 BPM | ||
| Concerto pour piano compresse - Remastered | Janko Nilovic | E♭ Major | 6 | 5B | 78 BPM | ||
| River | 玉木宏樹 | E Minor | 3 | 9A | 84 BPM | ||
| 春がいっぱい | Kenji Omura | C Major | 6 | 8B | 219 BPM | ||
| Accadde a Cuzco | Arawak | A Minor | 1 | 8A | 112 BPM | ||
| Prairie Road | Pete Jolly | B♭ Minor | 4 | 3A | 98 BPM | ||
| I'm Blind to All but You | 杉本喜代志 | D Minor | 4 | 7A | 95 BPM | ||
| Half-Forgotten Daydreams | John Cameron | B♭ Major | 4 | 6B | 83 BPM | ||
| Koto 2 | 山屋 清, 米川敏子, 三橋貴風, 佐藤要征 | A Major | 2 | 11B | 65 BPM |