"Intermezzi, Op. 117: I. In E Flat Major" by Johannes Brahms, Ivo Pogorelich had its release date on January 1, 1992. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 5 out of 7 in Brahms: Capriccio in F Sharp Minor, Op. 76, No. 1 by Johannes Brahms, Ivo Pogorelich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Intermezzi, Op. 117: I. In E Flat Major's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Intermezzi, Op. 117: I. In E Flat Major by Johannes Brahms, Ivo Pogorelich is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rachmaninov: 8 Études-tableaux, Op. 33: No. 2 in C Major | Sergei Rachmaninoff, Hélène Grimaud | F Major | 0 | 7B | 73 BPM | ||
| Huit Nocturnes, Op. 368: No. 4 in D-Flat Major | Carl Czerny, Isabelle Oehmichen | D♭ Major | 0 | 3B | 134 BPM | ||
| Intermezzo No. 2 in A Major, Op. 118 - Andante teneramente - Remastered | Johannes Brahms, Glenn Gould | A Major | 0 | 11B | 73 BPM | ||
| Stille Betrachtung an einem Herbstabend, WAB 123 | Anton Bruckner, Mari Kodama | C Major | 2 | 8B | 127 BPM | ||
| Piano Sonata in G Minor: IV. Finale. Presto | Fanny Mendelssohn, Heather Schmidt | G Major | 1 | 9B | 103 BPM | ||
| Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse | Sergei Lyapunov, Bertrand Chamayou | F♯ Major | 2 | 2B | 65 BPM | ||
| Nocturne in F Major, Op. 10: No. 1 | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | E Major | 0 | 12B | 141 BPM | ||
| Études dans le genre fugué, Op. 97: No. 12, Air. Lento | Anton Reicha, Ivan Ilić | E Major | 0 | 12B | 164 BPM | ||
| Inversion of Variation 15 (Canone alla quinta) from Bach’s Goldberg Variations, BWV 988 | Chiyan Wong | D Major | 0 | 10B | 112 BPM | ||
| Iberia, T. 105 / Book 3: No. 9, Lavapiés | Isaac Albéniz, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
| Barbe à papa | Alain Lefèvre | C Major | 1 | 8B | 123 BPM | ||
| Prélude, Choral et Fugue, FWV 21: Fugue. Tempo I° | César Franck, Nikolai Lugansky | D Major | 1 | 10B | 68 BPM | ||
| Vexations - Variation 1 | Erik Satie, Jean-Marc Luisada | D♭ Major | 1 | 3B | 70 BPM | ||
| II. Andante sostenuto | Franz Schubert, Menahem Pressler | F Major | 1 | 7B | 126 BPM | ||
| 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | D Minor | 1 | 7A | 91 BPM | ||
| Liszt: Isoldens Liebestod, S. 447 (After Richard Wagner) | Franz Liszt, Mariam Batsashvili | F♯ Minor | 1 | 11A | 88 BPM | ||
| 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | G Minor | 1 | 6A | 99 BPM | ||
| Soirées musicales, Op. 6: No. 2, Nocturne | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 71 BPM | ||
| Gnossienne 2 | Erik Satie, Anne Queffélec | F Major | 0 | 7B | 70 BPM | ||
| 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Partita pour Piano: II. Notturno. Andantino | Germaine Tailleferre, Cristina Ariagno | A Minor | 0 | 8A | 71 BPM | ||
| Brahms - Op.116 No.6 Intermezzo E major | Elena Kuschnerova | E Major | 0 | 12B | 127 BPM | ||
| Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Daniel Barenboim | F Major | 2 | 7B | 108 BPM | ||
| Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: II. Moderato In E Major | Sigismond Thalberg, Francesco Nicolosi | C Minor | 1 | 5A | 72 BPM | ||
| Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM |