Simon Molnar's 'Leaving' had a release date set for May 2, 2025. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of What Is Left? by Simon Molnar. The song's track number on the album is #7 out of 12 tracks. The popularity of Leaving is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Leaving by Simon Molnar has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Leaving being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| good morning june/the sun is in my eyes | Jaxon | D Major | 3 | 10B | 77 BPM | ||
| Worms | Travis Stacey | A Major | 5 | 11B | 80 BPM | ||
| Still Awake | Chris Vibe | B Major | 8 | 1B | 80 BPM | ||
| partner in crime | Whispergun | B Major | 8 | 1B | 80 BPM | ||
| The Sandbox | The Wayback | D Major | 6 | 10B | 78 BPM | ||
| The Day You Were Gone | Carter J. Nowlen | E♭ Major | 8 | 5B | 120 BPM | ||
| Somewhere | Jack M. Senff | C Major | 6 | 8B | 122 BPM | ||
| Amen | Mike Barlow | D Major | 4 | 10B | 165 BPM | ||
| Ain't Letting Go | Guy + Guitar | B Major | 8 | 1B | 80 BPM | ||
| Milwaukee | Social Cig | A♭ Major | 7 | 4B | 158 BPM | ||
| Tom's Theme | Big Dopes | B Major | 4 | 1B | 115 BPM | ||
| Sequoia | Big Hungry | B Major | 8 | 1B | 80 BPM | ||
| Kilos | The Wayback | B Major | 8 | 1B | 80 BPM | ||
| Trophy | Good Karma | B♭ Major | 4 | 6B | 87 BPM | ||
| The End | Simon Molnar | A Major | 3 | 11B | 169 BPM | ||
| Nothingness Vs. The Optimistic Spirit | St. Terrible | D♭ Major | 2 | 3B | 86 BPM | ||
| Riddles and Wire / Freight Train | The Jephries | E Major | 5 | 12B | 82 BPM | ||
| Absent Friends | The Orwells | A Minor | 6 | 8A | 148 BPM | ||
| Short Straws | Drew Beskin | F♯ Minor | 8 | 11A | 77 BPM | ||
| Shadow | Simon Molnar | A Major | 6 | 11B | 170 BPM | ||
| Trace | The Spades | D Major | 2 | 10B | 153 BPM | ||
| Outlier | Dead Love Triangle | B♭ Major | 4 | 6B | 163 BPM | ||
| Intentions | Riley Roo-Dean Stevens | B Major | 8 | 1B | 80 BPM | ||
| say goodnight, gracie. | Cottonwood Firing Squad | A♭ Major | 7 | 4B | 145 BPM | ||
| Shining Ear to Ear | Ovven | B Major | 8 | 1B | 80 BPM |