Дариюс Мийо, Gennady Rozhdestvensky, Klavdiya Shulzhenko, Ансамбль солистов оркестра Большого театра СССР's 'Мать и дитя, соч. 185: No. 2, Как хороша у нас зима' had a release date set for January 1, 1980. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Мелодекламации, so we believe that "Мать и дитя, соч. 185: No. 2, Как хороша у нас зима" is a single. The popularity of Мать и дитя, соч. 185: No. 2, Как хороша у нас зима is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Мать и дитя, соч. 185: No. 2, Как хороша у нас зима by Дариюс Мийо, Gennady Rozhdestvensky, Klavdiya Shulzhenko, Ансамбль солистов оркестра Большого театра СССР is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | ||
| Kreisler: Prelude and allegro in the style of Pugnani | Fritz Kreisler, Renaud Capuçon | E Minor | 3 | 9A | 96 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64: Capulets and Montagues (Arr. Grjunes for Violin and Piano) | Sergei Prokofiev, Nemanja Radulović, Laure Favre-Kahn | A Minor | 1 | 8A | 102 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Leyla İle Mecnun | Can Atilla | F Major | 1 | 7B | 182 BPM | ||
| Oblivion | Anne Gastinel, Sandrine Piau, Violoncelles de l’Orchestre National de France | F Minor | 2 | 4A | 90 BPM | ||
| Storm in Janoska Style (Third Movement from The Four Seasons in Janoska Style, Summer, Violin Concerto in G Minor, Op. 8/2, RV 315) | Antonio Vivaldi, Janoska Ensemble | C Minor | 5 | 5A | 168 BPM | ||
| Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 98 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| アヴェ・マリア(シューベルト) | Franz Schubert, 幸田聡子, Chika Nishiwaki | C Major | 1 | 8B | 88 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Nocturne Op. 9, No. 2 in E-Flat Major | Joshua Bell | E♭ Major | 1 | 5B | 78 BPM | ||
| On Wings of Song, Op. 34 No. 2 (Arr. Parkin for Violin and Chamber Ensemble) | Felix Mendelssohn, Christian Li, Melbourne Symphony Orchestra | F Major | 1 | 7B | 142 BPM | ||
| Timelapse | Uno Helmersson, Goldmund Quartet | D♭ Major | 4 | 3B | 136 BPM | ||
| Fandango: II. Plegaria (Chaconne) | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers | C Minor | 3 | 5A | 80 BPM | ||
| Sicilienne for Cello & Piano, Op. 78 | Axel Salmona, Tatsiana Zakharava-Dahan | G Minor | 1 | 6A | 134 BPM | ||
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Leif Ove Andsnes, Christian Tetzlaff, Tanja Tetzlaff | D Minor | 0 | 7A | 84 BPM | ||
| Dvořák: Gypsy Songs, Op. 55: No. 4 Songs my mother taught me | Antonín Dvořák, Renaud Capuçon | C Major | 2 | 8B | 189 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: III. Andante sostenuto | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | G Major | 1 | 9B | 60 BPM | ||
| Concerto Opus 64 | David Naulin, Robert Stepanian | E Minor | 3 | 9A | 87 BPM | ||
| Bernstein: West Side Story: Somewhere (Arr. Penaforte for Violin and Piano) | Leonard Bernstein, Augustin Hadelich, Orion Weiss | E Major | 1 | 12B | 99 BPM | ||
| Les Beautés Du Diable | François Dompierre, Angèle Dubeau | E Minor | 1 | 9A | 132 BPM | ||
| 4 портрета для альта и фортепиано, Опус 238: № 2, Женщина из Висконсина | Дариюс Мийо, Светлана Степченко, Зоя Аболиц | C Minor | 0 | 5A | 99 BPM | ||
| Reflections (Arr. for Cello & Piano by Julian Riem) | Toshifumi Hinata, Raphaela Gromes, Julian Riem | A Minor | 0 | 8A | 91 BPM |