Rafael Méndez's 'Chunca' had a release date set for January 1, 1957. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Chunca's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Trumpet Extraordinary". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. Chunca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chunca by Rafael Méndez having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Change Partners | Billy May & His Orchestra | A Major | 3 | 11B | 109 BPM | ||
| The Tre-Mendez Polka | Rafael Méndez | C Minor | 6 | 5A | 75 BPM | ||
| Concierto No. 2 En Do Menor | Los Violines Magicos De Villafontana | C Minor | 3 | 5A | 106 BPM | ||
| Cachita | Pepe Jaramillo | C Major | 4 | 8B | 130 BPM | ||
| El Solitario - El Ovejero | Rene Arangua | F Major | 5 | 7B | 116 BPM | ||
| Autumn in New York | Percy Faith | F Major | 3 | 7B | 80 BPM | ||
| 21 | Lil large linc | G Minor | 1 | 6A | 77 BPM | ||
| Franqueza | Consuelo Velázquez | E♭ Major | 2 | 5B | 79 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| Mon coeur est un violin | Contrabass: Karel Vejvoda, Schlagzeug: Vladimir Zizka, Violin: Jaroslav Skrobak, Piano: Ivo Wittich, Clarinet: Vladimir Burda | C Major | 1 | 8B | 88 BPM | ||
| Lamento Borincano (Instrumental) | Orquesta Popular de las Americas | E Minor | 1 | 9A | 115 BPM | ||
| Tomo y Obligo | Trino Bautista | G Minor | 4 | 6A | 99 BPM | ||
| Que Alta Está La Luna / Rosa Madreselva | La Orquesta Más Chica Del Mundo | G Minor | 5 | 6A | 95 BPM | ||
| El Cumbanchero | The Band Of Yorkshire Imperial Metals | D Major | 3 | 10B | 135 BPM | ||
| Swing des Pavés Silencieux | Quintette du Hot Club de France, Ensemble de Jazz Manouche, Tchan-Tchou Vidal | D Major | 0 | 10B | 128 BPM | ||
| Duda | Ricardo García De Arellano, Sociedad Camerista de México | E♭ Major | 1 | 5B | 77 BPM | ||
| As Time Goes By | Johnny Days Orchestra | G Minor | 4 | 6A | 100 BPM | ||
| Siempre en Mi Corazón | Cuerdas y Metales | C Minor | 3 | 5A | 118 BPM | ||
| Bell Song | Rafael Méndez | E♭ Minor | 2 | 2A | 88 BPM | ||
| La Cantinera | Conjunto Evocación de Juan S. Garrido | A Major | 2 | 11B | 100 BPM | ||
| ホフマンの舟唄 | ベス・ウィリアムズ・アンサンブル | F Minor | 6 | 4A | 107 BPM | ||
| Frío en el Alma / Aquellos Ojos Verdes | Bob Fleming Y Su Sax De Oro | F Major | 5 | 7B | 188 BPM | ||
| Between the Words | Cye Vance | D Major | 0 | 10B | 128 BPM | ||
| a raft, the sky, the wild sea: Movement I | Douglas J. Cuomo, Joe Lovano, Winston Salem Symphony, Michelle Merrill | D Major | 0 | 10B | 128 BPM | ||
| The Soho Samba | Koben Sprengers, ConForte Symphonic | A Minor | 2 | 8A | 130 BPM |