Bill Feehely's 'Ruby Tuesday' had a release date set for November 14, 2025. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Ruby Tuesday's duration is considered a little bit shorter than the average duration of a typical track. Since Ruby Tuesday only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Ruby Tuesday is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Ruby Tuesday by Bill Feehely having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Exactly Like You | K Quintet | D Minor | 2 | 7A | 134 BPM | ||
| Keeps Getting Better | Katherine Nagy | D♭ Major | 5 | 3B | 130 BPM | ||
| Oh! I Feel Good | Redje | G Major | 6 | 9B | 140 BPM | ||
| We Both Knew | Letizia Brugnoli | C Major | 4 | 8B | 130 BPM | ||
| Candlelit Sway | Celeste Vaughan | G Minor | 3 | 6A | 84 BPM | ||
| Blowing Kisses at the Moon | Goat | D♭ Major | 4 | 3B | 102 BPM | ||
| What’s Love Got to Do With It | Anna Cimenti, Massimo Faraò Trio | A Major | 2 | 11B | 135 BPM | ||
| Don't Hold Back on Me | Bill Feehely | G Major | 9 | 9B | 198 BPM | ||
| Temptation Blues | ANNA SCOTT | G Major | 5 | 9B | 135 BPM | ||
| Paper Wings | Timeless Tone | C Minor | 2 | 5A | 128 BPM | ||
| When a Man Loves a Woman | Michael Stephenson, Alexander Claffy, Benny Benack III | A♭ Major | 3 | 4B | 106 BPM | ||
| Do Nothing Till You Hear from Me | Nick The Nightfly & The Monte Carlo Nights Orchestra | G Major | 6 | 9B | 120 BPM | ||
| Walk on By | Kristina Koller | F Major | 3 | 7B | 57 BPM | ||
| Never Know (Things I've Been Through)+ | Roderick Harper | F Major | 5 | 7B | 133 BPM | ||
| Orange Sky | Oliver Dora | F Major | 6 | 7B | 115 BPM | ||
| Addicted To Love - Vintage Demix | Flash Mob Jazz | G Minor | 6 | 6A | 105 BPM | ||
| The Flow | Bianca Grooves | B♭ Minor | 5 | 3A | 122 BPM | ||
| A Ticket Left on the Table - 1940s Jazz | Jazz Street | F Major | 5 | 7B | 133 BPM | ||
| Everything Is Possible | Monika Ryan | A Minor | 3 | 8A | 138 BPM | ||
| I May Be Wrong | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| Hold On | Mark Winkler, Sidney Jacobs | F Major | 5 | 7B | 133 BPM | ||
| When Love Comes to Town | Torsten Goods, Ida Sand | G Minor | 5 | 6A | 102 BPM | ||
| Someone Out There | Karl Anders Claes | G Minor | 3 | 6A | 117 BPM | ||
| Let's Get Lost | Johnny Summers | C Major | 4 | 8B | 142 BPM | ||
| What Happened to the Moon | Bill Feehely | A♭ Major | 4 | 4B | 99 BPM |