James Monroe's ' "Follow" was released on its scheduled release date, 2003. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "The Way I Am". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Follow's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Follow by James Monroe having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| England's Motorway | Blue Highway | D Major | 5 | 10B | 106 BPM | ||
| Raised on Pain | The Boxcars | F♯ Minor | 6 | 11A | 190 BPM | ||
| With Body And Soul | James Monroe | A Major | 7 | 11B | 125 BPM | ||
| No Hiding Place | The Nashville Bluegrass Band | G Major | 4 | 9B | 132 BPM | ||
| Can't You Hear Me Calling | Hazel Dickens, Alice Gerrard | G Major | 5 | 9B | 96 BPM | ||
| Roll On Blues | The Johnson Mountain Boys | B♭ Major | 5 | 6B | 133 BPM | ||
| Nine Pound Hammer Is too Heavy | Bill Monroe | B Major | 7 | 1B | 117 BPM | ||
| Are You Tired of Me My Darling | Russell Moore & IIIrd Tyme Out | B Major | 6 | 1B | 160 BPM | ||
| Down Where The River Bends | J.D. Crowe | B Major | 4 | 1B | 96 BPM | ||
| He Died A Rounder At Twenty-One | Santa Cruz, Wyatt Rice | D Major | 7 | 10B | 126 BPM | ||
| Hillbilly Fever | Leroy Troy | C Major | 6 | 8B | 132 BPM | ||
| America Our Home | Joe Isaacs, Vince Gill, Sonya Isaacs, Ben Isaacs, Stacy York | A Major | 5 | 11B | 135 BPM | ||
| Love, Oh Please Come Home | Reno & Smiley | D Major | 5 | 10B | 109 BPM | ||
| Harbor Of Love | The Johnson Mountain Boys | F Major | 2 | 7B | 175 BPM | ||
| Family Bible | The Osborne Brothers, Mac Wiseman | G Major | 3 | 9B | 133 BPM | ||
| Gone Home | Lester Flatt, Earl Scruggs | B Major | 3 | 1B | 128 BPM | ||
| Crying Holy | Marshall Family | D Major | 2 | 10B | 110 BPM | ||
| Satisfied Mind | James Monroe | A♭ Major | 4 | 4B | 81 BPM | ||
| Never Again (Will I Knock On Your Door) | The Boxcars | C Major | 7 | 8B | 124 BPM | ||
| Cabin In Gloryland | Tim O'Brien | F Major | 5 | 7B | 137 BPM | ||
| Best Female Actress | Junior Sisk | A Major | 4 | 11B | 113 BPM | ||
| Blackbirds And Crows | The Nashville Bluegrass Band | F Major | 2 | 7B | 179 BPM | ||
| I Couldn't Believe It Was True | Doc & Merle Watson | G Major | 5 | 9B | 113 BPM | ||
| Great Speckled Bird | Jim & Jesse | F♯ Major | 1 | 2B | 88 BPM | ||
| Roxanna Waltz | James Monroe | C Major | 4 | 8B | 101 BPM |