Wolfsheim's ' "(The Obvious Fact That) Scars Remain (And How To Cope With It)" was released on its scheduled release date, October 4, 1993. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Popkiller". In this album, this song's track order is #8. The popularity of (The Obvious Fact That) Scars Remain (And How To Cope With It) is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With (The Obvious Fact That) Scars Remain (And How To Cope With It) by Wolfsheim having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meine Fremde Seele | Anne Clark, herrB | A♭ Major | 7 | 4B | 116 BPM | ||
| Hla | Diorama | D Major | 7 | 10B | 125 BPM | ||
| Schall und Rauch | Seelennacht | D♭ Major | 8 | 3B | 126 BPM | ||
| Torn Realities | Rotersand | F Minor | 9 | 4A | 100 BPM | ||
| Tears | The Crüxshadows | C Major | 10 | 8B | 127 BPM | ||
| Freiheit | Kontrast, Ivi | G Major | 8 | 9B | 105 BPM | ||
| Kein Zurück | Wolfsheim | E Minor | 8 | 9A | 164 BPM | ||
| Aus den Ruinen | L'âme Immortelle | A♭ Major | 8 | 4B | 90 BPM | ||
| Not Prepared | Mesh | E♭ Major | 7 | 5B | 102 BPM | ||
| Kingdom | Dave Gahan | E Major | 9 | 12B | 99 BPM | ||
| Hypocrite | Frozen Plasma | B♭ Minor | 6 | 3A | 83 BPM | ||
| World of Stone | !Distain | A♭ Major | 9 | 4B | 123 BPM | ||
| Visions | CHROM | A Minor | 9 | 8A | 128 BPM | ||
| Murderous Trap | Frozen Plasma | E Minor | 10 | 9A | 130 BPM | ||
| So High | CHROM | E Major | 9 | 12B | 136 BPM | ||
| We Will Kill Them All | Rotersand | A Minor | 5 | 8A | 120 BPM | ||
| Spawn | Beborn Beton | A Minor | 9 | 8A | 120 BPM | ||
| Der blaue Planet | Melotron, Ullrich Swillms, Norbert Kaiser | D Major | 9 | 10B | 130 BPM | ||
| Now We Hear the Call | Absurd Minds | B♭ Minor | 9 | 3A | 90 BPM | ||
| The Men | Covenant | B♭ Major | 9 | 6B | 128 BPM | ||
| Saviour of Love | Torul | D Major | 8 | 10B | 120 BPM | ||
| So Sorry | Dekad | G Major | 8 | 9B | 128 BPM | ||
| City of Darkness | Funker Vogt | G Minor | 10 | 6A | 136 BPM | ||
| Erase Me | Diorama | E Minor | 9 | 9A | 105 BPM | ||
| Who Needs | RROYCE | A♭ Major | 9 | 4B | 130 BPM |