"The Raptors Appear - From "The Lost World: Jurassic Park" Soundtrack" by John Williams had its release date on January 1, 1997. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Lost World: Jurassic Park (Original Motion Picture Score)". In this album, this song's track order is #9. Based on our statistics, The Raptors Appear - From "The Lost World: Jurassic Park" Soundtrack's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Raptors Appear - From "The Lost World: Jurassic Park" Soundtrack by John Williams having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mosasaur Battle | Kara Talve, Anže Rozman | C Minor | 1 | 5A | 120 BPM | ||
| Fields of Dusk - Orchestral Version | TATRAN | F Major | 2 | 7B | 78 BPM | ||
| The Idol Temple | John Williams, London Symphony Orchestra | A♭ Major | 1 | 4B | 68 BPM | ||
| Searching | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| Battle Preparations | Joris de Man | E Minor | 3 | 9A | 87 BPM | ||
| A Foggy Night in London | Joe Kraemer | C Major | 4 | 8B | 138 BPM | ||
| Ady's Theme - Hyperdrive | Joseph Trapanese | E♭ Minor | 2 | 2A | 120 BPM | ||
| Monster Mash - Bonus Track | Henry Jackman | F Major | 2 | 7B | 86 BPM | ||
| Godzilla Vs. MechaGodzilla: G Force March - From "Godzilla Vs. MechaGodzilla" | Ifukube | C Major | 4 | 8B | 118 BPM | ||
| The Scroll / To Pankot Palace | John Williams | D Major | 2 | 10B | 171 BPM | ||
| Godzilla Vs. MechaGodzilla: Main Title - From "Godzilla Vs. MechaGodzilla" | Ifukube | A Minor | 5 | 8A | 117 BPM | ||
| Skull Island (Kong Theme) | Junkie XL | F Minor | 2 | 4A | 120 BPM | ||
| Leaving Jaunta's Hope ~ The Debris Field | Wilbert Roget, II, Jon Everist | E Major | 2 | 12B | 121 BPM | ||
| Cat and Mouse | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| The Story Continues | Patrick Doyle | C Major | 3 | 8B | 124 BPM | ||
| Entering Nostromo | Benjamin Wallfisch | B Minor | 3 | 10A | 85 BPM | ||
| Morocco Pursuit | Joe Kraemer | D Minor | 6 | 7A | 80 BPM | ||
| Big Sharp Pointy Teeth | Jeremiah Pena | F Major | 1 | 7B | 81 BPM | ||
| Ebon Hawk Normal | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Wheat Field | Jed Kurzel | B♭ Major | 1 | 6B | 112 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM | ||
| Factory Chase | Brad Fiedel | D Major | 7 | 10B | 101 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| Skeleton Crew End Credits | Mick Giacchino | C Major | 2 | 8B | 130 BPM | ||
| Sorry, Boys | Nick Arundel | A♭ Major | 3 | 4B | 145 BPM |