Until We Get There
Unifinity, Mabreezee, Jay Jules, MISS C-LINE
Ths II
3:10 November 8, 2024
BPM
114
Key
G Major
Camelot
9B

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Until We Get There by Unifinity, Mabreezee, Jay Jules, MISS C-LINE Song Details

Unifinity, Mabreezee, Jay Jules, MISS C-LINE's ' "Until We Get There" was released on its scheduled release date, November 8, 2024. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Ths II". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Until We Get There is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Until We Get There by Unifinity, Mabreezee, Jay Jules, MISS C-LINE having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.609 dB
Acousticness
3%
Danceability
82%
Energy
68%
Instrumentalness
1%
Liveness
8%
Loudness
86%
Speechiness
14%
Valence
67%

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ISRC
TCAIR2433832
Label
L-M Records/RCA Records