Ferdinand Hérold, Angéline Pondepeyre, WDR Rundfunkorchester Köln, Conrad van Alphen's 'Concerto No. 2 in E-Flat Major: II. Moderato assai' had a release date set for June 16, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ferdinand Hérold, Angéline Pondepeyre, WDR Rundfunkorchester Köln's "Hérold: 4 Concertos for Piano & Orchestra" album is number 5 out of 10. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Concerto No. 2 in E-Flat Major: II. Moderato assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto No. 2 in E-Flat Major: II. Moderato assai by Ferdinand Hérold, Angéline Pondepeyre, WDR Rundfunkorchester Köln, Conrad van Alphen to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM | ||
| Etudes: XIII. Tarantel | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 179 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
| La Grande-Duchesse de Gérolstein: Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 74 BPM | ||
| Debussy: Nocturnes, CD 98, L. 91: No. 2, Fêtes | Claude Debussy, London Philharmonic Orchestra, Ben Gernon | A Major | 4 | 11B | 76 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Symphony in C Major, GB 115: III. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 116 BPM | ||
| Perpetuum mobile - Musical Joke Op. 257 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 1 | 5B | 149 BPM | ||
| Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
| Bizet: Symphony in C Major: IV. Final. Allegro vivace | Georges Bizet, Paavo Järvi, Orchestre de Paris | G Major | 1 | 9B | 147 BPM | ||
| La fille mal gardée / Act 2: 22. Spinning - 24. Harvesters | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | F Major | 0 | 7B | 101 BPM | ||
| Roma, WD 37: IV. Allegro vivacissimo | Georges Bizet, Jean-Luc Tingaud, RTÉ National Symphony Orchestra | C Major | 1 | 8B | 172 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
| Coppélia, Tableau 3: No. 20 Fête de la cloche: VIII. Danse de fête - Alternative Version | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| For ever, Polka schnell, Op. 193 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | G Major | 3 | 9B | 88 BPM | ||
| La Bayadère / Act 1: No.21 Allegretto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | G Major | 1 | 9B | 147 BPM | ||
| Victoria and Merrie England: Scene VII - 1897 - Britain's Glory: Finale: Britannia - The Albert Memorial - God Save The Queen | Arthur Sullivan, RTE Sinfonietta, Andrew Penny | B Major | 1 | 1B | 144 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 23, Danse au tambour de basque. Aria con variazioni | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 0 | 7B | 131 BPM | ||
| 鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM |