On July 11, 2002, the song "Elitle Syncopations" was released by The New Century Ragtime Orchestra. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The New Century Ragtime Orchestra's "Hello Ma Baby" album is number 7 out of 18. Based on our statistics, Elitle Syncopations's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Elitle Syncopations by The New Century Ragtime Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Indian Love Call | Jim Robinson, Kid Thomas, Ernie Cagnolatti, De De Pierce | E♭ Major | 3 | 5B | 120 BPM | ||
| Let Me Call You Sweetheart | Memphis Jazz Orchestra | A Major | 2 | 11B | 172 BPM | ||
| At a Georgia Camp Meeting | Firehouse Five Plus Two | A♭ Major | 5 | 4B | 97 BPM | ||
| これが恋かしら(シンデレラ) | ネバーランド オーケストラ | F♯ Minor | 2 | 11A | 73 BPM | ||
| Boogie Woogie | Don Neely's Royal Society Jazz Orchestra | C Major | 3 | 8B | 107 BPM | ||
| Salty Dog | George Lewis | E♭ Major | 4 | 5B | 172 BPM | ||
| レイダース・マーチ | John Williams, ZOORASIAN BRASS | G Major | 2 | 9B | 78 BPM | ||
| The Sidewalks of New York | Pinky Vidacovich, Armand Hug, Joe Capraro, Emile Chritian, Monk Hazel | A♭ Major | 2 | 4B | 95 BPM | ||
| Dash and Dot | The Beau Hunks | F Major | 0 | 7B | 108 BPM | ||
| The Pink Room | Giorgio Cuscito | D♭ Major | 4 | 3B | 175 BPM | ||
| Strut Miss Lizzie | Johnny Maddox | B♭ Major | 6 | 6B | 99 BPM | ||
| Dynamite Rag | Winifred Atwell | E Major | 4 | 12B | 102 BPM | ||
| The Reconciliation | Tom Sullivan | C Major | 3 | 8B | 106 BPM | ||
| 舞踏会の美女 | Leroy Anderson, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
| スーパーカリフラジリスティックエクスピアリドーシャス (『メリー・ポピンズ』より) | Kento Ohgiya, Masayoshi Oishi | C Major | 8 | 8B | 160 BPM | ||
| Down In China Townton | John Lunn, The Chamber Orchestra Of London | G Major | 5 | 9B | 115 BPM | ||
| Tendu 4/4 64 Counts | Marina Stolyar | B♭ Major | 2 | 6B | 63 BPM | ||
| In The Background | French Jazz Cafe | C Major | 1 | 8B | 110 BPM | ||
| Someday Sweetheart | The Charleston Chasers | F Major | 2 | 7B | 108 BPM | ||
| Muksrat Ramble | Firehouse Five Plus Two | A♭ Major | 6 | 4B | 181 BPM | ||
| New Era Rag (Live) | Tom Brier | F Major | 4 | 7B | 113 BPM | ||
| The Charleston | Alex Mendham and His Orchestra | D Minor | 4 | 7A | 121 BPM | ||
| ミニーのユー・フー! | Carl Stalling, ウォルト・ディズニー, 飯島多恵 | F Major | 2 | 7B | 119 BPM | ||
| Domino Polka | Mike Miskiewicz And His Orchestra | F Major | 8 | 7B | 127 BPM | ||
| Me And My Shadow | 1923 Autopiano Player Piano | E♭ Major | 4 | 5B | 93 BPM |