Rajendra Vaishampayan's ' "Uttarardh Prakaran - 14" was released on its scheduled release date, April 1, 2015. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Uttarardh Prakaran - 14's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajendra Vaishampayan's "Mazi Janmathep" album is number 32 out of 32. On top of that, India appears to be the country where this track was created. The popularity of Uttarardh Prakaran - 14 is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Uttarardh Prakaran - 14 by Rajendra Vaishampayan to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Krishna Sharanam Mamah - Krishna Morning Mantra | Nidhi Dholakia | B♭ Major | 3 | 6B | 85 BPM | ||
| Rudra Chamak | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 83 BPM | ||
| Chala Pahu Re Sohala Pandharicha | Manish Rajgire | C Major | 3 | 8B | 82 BPM | ||
| Sri Karthikeya Stotram With Thanpura | Bangalore Sisters | E Major | 6 | 12B | 152 BPM | ||
| Shashthi Devi Stotram | Archana Iyer | B♭ Major | 0 | 6B | 175 BPM | ||
| Agni Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 124 BPM | ||
| Shri Gananayaka Ashtakam | Inner Splendor, Vallari Ambekar, Vedika Godbole | F♯ Major | 3 | 2B | 148 BPM | ||
| Rudra Chamak | Rajendra Vaishampayan | D♭ Major | 3 | 3B | 74 BPM | ||
| Jya Sukha Karane VedaVala Abhang | Sachin Kudalkar | A Major | 6 | 11B | 94 BPM | ||
| Manache Shlok | Rajendra Vaishampayan & Natasha Dias | A♭ Major | 1 | 4B | 86 BPM | ||
| Guru Kavacha Sthosthram | Banglore Sisters | B Minor | 4 | 10A | 78 BPM | ||
| Jay Dev Jay Dev Jay Shri Ganaraya Lalbaugcha Raja Aarti | Pradnya Annam, Sapna Heman, Mangesh Shirke, Vivek Naik | B♭ Minor | 7 | 3A | 100 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Hanuman Ji Ke 12 Naam | Prem Prakash Dubey | B Major | 6 | 1B | 114 BPM | ||
| Om Anjaneya Namaha (Chanting) | Prabhakar | F Minor | 9 | 4A | 130 BPM | ||
| Kali Shatnam Stotram | Pandit Kamal Dixit | A♭ Major | 4 | 4B | 112 BPM | ||
| Tuch Maay Baap Swami Tu | Suresh Wadkar,Dr. Jay Ajgaonkar | D♭ Major | 6 | 3B | 99 BPM | ||
| Sri Ganesha Ashtakam | Veda Pandits | F Major | 3 | 7B | 123 BPM | ||
| Iyyappan 108 Ashtothram | Veeramani Kannan, Subash Veeramani | F Minor | 4 | 4A | 113 BPM | ||
| Sri Durga Apadhudara Stotram | Puttur Narasimha Nayak, K M Kusuma | C Major | 5 | 8B | 135 BPM | ||
| Shantam Shashvatamaprameyamanghamh | Aanjaneya Sharma | C Major | 2 | 8B | 138 BPM | ||
| Bojjhanga Paritta | Zen Habits | F♯ Major | 2 | 2B | 137 BPM | ||
| Sri Adi Varahi Stotram | Bhandhavi | F♯ Minor | 9 | 11A | 115 BPM | ||
| Sri Laxmi Sukta | Tejeswini Ingle | A Major | 6 | 11B | 80 BPM | ||
| Surya Mantra (Daily Morning Prayer) | Jeet Ojha | E Minor | 5 | 9A | 135 BPM |