On January 8, 2026, the song "JAY VEERU" was released by Kishan Raval, Vishal Hapor. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in JAY VEERU and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, JAY VEERU is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of JAY VEERU by Kishan Raval, Vishal Hapor to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahefil Tamari Ne Maheman Thaya Ame - Original | Rohit Thakor | A♭ Major | 9 | 4B | 95 BPM | ||
| Fire | Dilip Karnala | A Minor | 9 | 8A | 79 BPM | ||
| Alakhdhani Na Upkar | Nayna Thakor | B Major | 9 | 1B | 125 BPM | ||
| Romasa Ae Aapai Saflata | Kishan Raval | A Minor | 9 | 8A | 147 BPM | ||
| Ramdevpir No Aalap | Alpesh Pirojpur | D♭ Minor | 8 | 12A | 96 BPM | ||
| Aakhi Raat Radeli Aankh | Kishan Raval | B Minor | 7 | 10A | 112 BPM | ||
| Tara Mate Lagni Chhe | Gaman Santhal, Vishal Hapor | B Minor | 10 | 10A | 138 BPM | ||
| Rinku Bharwad Mashup | Rinku Bharwad | F Minor | 7 | 4A | 90 BPM | ||
| Tapobal | Rahul Aanjana, Dharmesh Savli | D Minor | 6 | 7A | 152 BPM | ||
| Aedhoni | Keyur Dabhoda, Dharmesh Savli | G Minor | 8 | 6A | 143 BPM | ||
| Red Eyes | Jigar Hathrol | A♭ Minor | 9 | 1A | 81 BPM | ||
| Navdurga Ni Navali Navarat | Manisha Bharwad | B♭ Major | 9 | 6B | 90 BPM | ||
| Mausam Badlayi Gayi Che | Kishan Raval, Shankar Prajapati | A♭ Minor | 7 | 1A | 115 BPM | ||
| Maravo Hoy To Mari Nakh | Bechar Thakor | A Minor | 9 | 8A | 50 BPM | ||
| Mot Joje Maru | Gopal Thakor | F Minor | 10 | 4A | 144 BPM | ||
| Samubani Chehar Teto Aabhle Adadya | Kinjal Rabari, Vishal Hapor | E Major | 9 | 12B | 87 BPM | ||
| Vaali | Vishal Hapor, Nikita Singh | B♭ Major | 6 | 6B | 140 BPM | ||
| Bije Lagan Nai Karu | Gracy Chauhan | E♭ Major | 8 | 5B | 85 BPM | ||
| Hed Bhaibandh Dwarka | Rahul Thakor | D♭ Major | 9 | 3B | 174 BPM | ||
| Swarg Batavu | Vishal Hapor, Mahi Desai | A Minor | 9 | 8A | 147 BPM | ||
| Man Sayba Ni Medi | Kaushik Bharwad, Sachin Gamara | A Minor | 9 | 8A | 147 BPM | ||
| Tara Mate Maan Chhe | Vijay Suvada | F♯ Major | 9 | 2B | 125 BPM | ||
| Barbaad | Naresh Thakor | F♯ Major | 10 | 2B | 125 BPM | ||
| Cham Aa Gharmo Parnai | Chintan Prajapati, Jaya Patel | D♭ Major | 8 | 3B | 180 BPM | ||
| Meldi Na Aave Te Di Aathmano Di Uge | Rinku Bharwad | E Major | 9 | 12B | 111 BPM |