"Calling" by Tashi Wada, Julia Holter had its release date on June 7, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of What Is Not Strange? by Tashi Wada. The song's track number on the album is #9 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. Calling is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Calling by Tashi Wada, Julia Holter has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Calling being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Could Hear Them Singing from Across the Valley | Dylan Henner | D Major | 1 | 10B | 131 BPM | ||
| Behind the Palazzo | Wojciech Rusin | B♭ Major | 3 | 6B | 128 BPM | ||
| Both Blue Moons | Aaron Dilloway, Lucrecia Dalt | D♭ Major | 6 | 3B | 94 BPM | ||
| Drift Recollections, or The Long Dream | Lynn Avery, Cole Pulice | F Major | 0 | 7B | 84 BPM | ||
| Always behind you III | Ruthlesskid | G Major | 0 | 9B | 126 BPM | ||
| Entering the fray | Copenhagen Clarinet Choir, Anders Lauge Meldgaard | A♭ Major | 1 | 4B | 81 BPM | ||
| The Real Business | Alabaster DePlume, Daniel Inzani | C Major | 1 | 8B | 88 BPM | ||
| Sparking Node Network | Signal Quest, Lynn Avery, Cole Pulice, Mitch Stahlmann | B♭ Minor | 6 | 3A | 70 BPM | ||
| Touch | Arp | E♭ Major | 2 | 5B | 81 BPM | ||
| Solid Snake | Car Culture | F♯ Minor | 3 | 11A | 82 BPM | ||
| Drain the House | U.e., Ulla | F Major | 2 | 7B | 106 BPM | ||
| Agarrame | JhosmelCruz | A♭ Major | 7 | 4B | 144 BPM | ||
| low clouds hang, this land is on fire | Tashi Dorji | A♭ Major | 0 | 4B | 77 BPM | ||
| The Ceremonial Entrance of Colour | Kara-Lis Coverdale | G Major | 1 | 9B | 67 BPM | ||
| Reverence | Elori Saxl, Henry Solomon | A♭ Major | 0 | 4B | 77 BPM | ||
| Once Around | Tara Clerkin Trio | F♯ Minor | 1 | 11A | 105 BPM | ||
| September 23rd - Excerpt 6 | William Basinski | E♭ Major | 4 | 5B | 133 BPM | ||
| Merkwürdige Vögel erscheinen im Garten | Läuten der Seele | F♯ Major | 3 | 2B | 118 BPM | ||
| Erdrutsch an der Bushaltestelle | Läuten der Seele | D♭ Minor | 4 | 12A | 84 BPM | ||
| The Broken Forest | Laura Cannell | A♭ Major | 0 | 4B | 77 BPM | ||
| In Wound and Water | Drew McDowall | E♭ Minor | 4 | 2A | 71 BPM | ||
| Huckleberry | Emily A. Sprague | F Major | 3 | 7B | 131 BPM | ||
| Provenance | Peter Gordon, David Cunningham | B♭ Minor | 2 | 3A | 100 BPM | ||
| 2XQ | Josiah Steinbrick | C Major | 3 | 8B | 123 BPM | ||
| Introspective Glasses | Crying Times | B Major | 1 | 1B | 174 BPM |