"亡き王女のためのパヴァーヌ M. 19 (ストリング・オーケストラ用編曲松岡あさひ)" by モーリス・ラヴェル, 石田組 had its release date on December 24, 2025. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. There is only one song in 石田組 2025・冬, so we believe that "亡き王女のためのパヴァーヌ M. 19 (ストリング・オーケストラ用編曲松岡あさひ)" is a single. In terms of popularity, 亡き王女のためのパヴァーヌ M. 19 (ストリング・オーケストラ用編曲松岡あさひ) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 亡き王女のためのパヴァーヌ M. 19 (ストリング・オーケストラ用編曲松岡あさひ) by モーリス・ラヴェル, 石田組 is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| G線上のアリア | Johann Sebastian Bach, レックス・サウンド・オーケストラ | E Minor | 5 | 9A | 116 BPM | ||
| オンブラ・マイ・フ | George Frideric Handel, Takeharu Nobuhara, テレマン室内管弦楽団 | F Major | 1 | 7B | 51 BPM | ||
| イグアスの滝 | Masashi Hamauzu | E♭ Major | 1 | 5B | 84 BPM | ||
| トロイメライ 〜子供の情景より [シューマン] | Robert Schumann, John O'Conor | F Major | 0 | 7B | 132 BPM | ||
| 展覧会の絵 〜キエフの大門 [ムソルグスキー/ラヴェル] | Modest Mussorgsky, ルイ・フレモー, Tokyo Metropolitan Symphony | E♭ Major | 1 | 5B | 177 BPM | ||
| 白鳥(サン=サーンス) | Camille Saint-Saëns, Yoko Hasegawa | D Minor | 4 | 7A | 149 BPM | ||
| Sonata for Violin and Piano No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Josef Suk, Jan Panenka | C Major | 1 | 8B | 141 BPM | ||
| ラ・カンパネラ パガニーニによる大練習曲 S.141-3 | Fujiko Hemming | A♭ Minor | 3 | 1A | 86 BPM | ||
| 愛のよびかけ (愛の挨拶)作品12 | Edward Elgar, 藤原真理, アラン・プラネス | D Major | 1 | 10B | 105 BPM | ||
| Spring and Asura (Jin Kazama Version) | Dai Fujikura, Mao Fujita | D♭ Major | 1 | 3B | 69 BPM | ||
| サン=サーンス:交響曲 第3番 ハ短調 作品78 「オルガン付」 2 (Part2) Maestoso-Allegro | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | C Major | 2 | 8B | 92 BPM | ||
| 亜麻色の髪の乙女 | 斎藤雅広 | F♯ Major | 0 | 2B | 171 BPM | ||
| ベートーヴェン: ピアノ・ソナタ 第14番 嬰ハ短調 作品27-2 「月光」〜第1楽章 | Kai Ichinose | D♭ Minor | 0 | 12A | 128 BPM | ||
| Sakura Song (Arr. for Bass Clarinet & Piano) | Yosuke Fukuda, Yoshiyuki Funaki, Nao Noshiro | C Minor | 0 | 5A | 82 BPM | ||
| 組曲「動物の謝肉祭」 13. 白鳥 | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | G Major | 0 | 9B | 126 BPM | ||
| ト調のメヌエット | ルートヴィヒ・ヴァン・ベートーヴェン, ジョナサン・ヒンデン | G Major | 1 | 9B | 135 BPM | ||
| 5 Lieder, Op. 49: 子守歌 作品49-4 | Johannes Brahms, 佐藤晴真, 大伏啓太 | E♭ Major | 0 | 5B | 66 BPM | ||
| 「海の上のピアニスト」~愛を奏でて (モリコーネ) | Kentaro Haneda | D Major | 1 | 10B | 68 BPM | ||
| 亡き王女のためのパヴァーヌ | モーリス・ラヴェル, 近藤嘉宏 | D♭ Major | 0 | 3B | 86 BPM | ||
| ピアノ・ソナタ 第14番 嬰ハ短調 作品27の2《月光》: 第3楽章: Presto agitato | Ludwig van Beethoven, Shinya Kiyozuka | F♯ Minor | 2 | 11A | 81 BPM | ||
| 子供の情景, 作品15: 第7曲 トロイメライ | Robert Schumann, 中野翔太 | F♯ Major | 2 | 2B | 106 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Jenő Jandó | A♭ Major | 0 | 4B | 67 BPM | ||
| Kaiyukan | Niwamori Piano | D Major | 0 | 10B | 100 BPM | ||
| Overture (Suite) No. 3 In D Major, BWV 1068: II. Air | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Vremena goda, Op. 67: XV. Allegro | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | F Major | 2 | 7B | 121 BPM |