Eric Reed's ' "Come Thou Almighty King" was released on its scheduled release date, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Eric Reed's "Mercy and Grace" album is number 6 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Come Thou Almighty King's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Come Thou Almighty King by Eric Reed to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farewell | Meeco, Hubert Laws, Jaques Morelenbaum, Eric Reed | B Major | 2 | 1B | 76 BPM | ||
| Brief Gusts | The Keys to the Sub, אורי בן צבי, Adam Ben Ezra, Gil Idan, Roey Bar Yehuda, Asaf Finkelstein | B♭ Minor | 5 | 3A | 173 BPM | ||
| Amber Hour | The Velvet Brewers | F Minor | 2 | 4A | 101 BPM | ||
| LA Streets | Olepash | F Minor | 2 | 4A | 101 BPM | ||
| Ribbon Soiree | lost postcards | D Minor | 4 | 7A | 167 BPM | ||
| New Awlins' | Wycliffe Gordon, Victor Goines, Eric Scott Reed, Joe Temperley, Randy Sandke | F Minor | 5 | 4A | 214 BPM | ||
| Donde el silencio suena mejor | Nach | F Minor | 2 | 4A | 101 BPM | ||
| Nice 'N' Easy | The Gene Harris Quartet | F Major | 3 | 7B | 118 BPM | ||
| Salience | Joe Locascio, David Craig, Tim Solook | F Minor | 2 | 4A | 177 BPM | ||
| Out Late | Eric Scott Reed | A♭ Major | 5 | 4B | 115 BPM | ||
| A Sleepin' Bee | The Jazz Cultivators | A♭ Major | 2 | 4B | 106 BPM | ||
| He Cares | Eric Scott Reed | A Major | 1 | 11B | 80 BPM | ||
| Glow | Eric Scott Reed | A Minor | 3 | 8A | 134 BPM | ||
| Dreams | Kenny Barron Trio | B♭ Minor | 3 | 3A | 119 BPM | ||
| Consequences | Martin Landström | F Minor | 2 | 4A | 119 BPM | ||
| Where The Snow Still Falls | Andreas Gidlund | C Major | 1 | 8B | 112 BPM | ||
| What's Up | Carl Winther Trio | A♭ Major | 5 | 4B | 138 BPM | ||
| Lazy Morning | The Velvet Brewers | F Minor | 2 | 4A | 101 BPM | ||
| Embraceable You | New York Trio | G Major | 3 | 9B | 123 BPM | ||
| Vintersol | Julemusik | E Major | 0 | 12B | 85 BPM | ||
| silent glow | eire music | C Minor | 3 | 5A | 166 BPM | ||
| Beautiful Things | Yeny Kim | D♭ Major | 2 | 3B | 134 BPM | ||
| Babooshka | Hugo Lippi, Gael Rakotondrabe | F Minor | 2 | 4A | 101 BPM | ||
| Crescendo in Reverse | Velvet Undertones | C Major | 2 | 8B | 116 BPM | ||
| Tables Turn | Mabon Clarke Quartet | F Minor | 2 | 4A | 101 BPM |