Rajal Barot, Jignesh Kaviraj's ' "Ho Mara Mandana Meet" was released on its scheduled release date, March 9, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 58 in the song's album "Tahukar Bits No Ragilo Dayro". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Ho Mara Mandana Meet is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ho Mara Mandana Meet by Rajal Barot, Jignesh Kaviraj having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hamaro Man Moh Liyo | Shahnaz Akhtar | A♭ Major | 8 | 4B | 102 BPM | ||
| Savariyo Maro | Kairavi Buch | D Major | 3 | 10B | 127 BPM | ||
| mithudi mavdi n mithi chaya | Rajal Barot | F♯ Minor | 10 | 11A | 140 BPM | ||
| Baba Ramdevji Prachin Aarti | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Jab Duniya Chhod Ke Jayenge Yaad Hum Aayenge | Jyoti Vanjara | B♭ Minor | 9 | 3A | 83 BPM | ||
| Pavo Vagyo Re Mano - Original | Jignesh Kaviraj, Abhita Patel, Rajal Barot, NA | B Minor | 6 | 10A | 187 BPM | ||
| Yaaro Ni Yaari | Mahesh Vanzara | C Major | 8 | 8B | 125 BPM | ||
| Pardeshi Tamne Pal Ma Bhuli Jashe | Nitin Barot | F♯ Major | 9 | 2B | 150 BPM | ||
| mari chamund madi pade detyo par bhari | Rajal Barot | F♯ Minor | 10 | 11A | 140 BPM | ||
| So So Bandhukiya | Motibhai Bharwad | F Major | 9 | 7B | 90 BPM | ||
| Sambhal Saawariyan | Arvind Barot, Sadhana Sargam | G Major | 5 | 9B | 95 BPM | ||
| Dj Uchi Govinda Ni Pipladi Re | Rasmita Rabari, Utpal Jivrajani | A♭ Major | 9 | 4B | 140 BPM | ||
| Maharas | Bhavesh Ahir | A♭ Minor | 6 | 1A | 129 BPM | ||
| Yamuna na Pani | Kiran Gadhvi | D♭ Major | 9 | 3B | 81 BPM | ||
| Ek Var Bolu Ke Be Var Bolu | Traditional, Praful Dave | F Major | 5 | 7B | 189 BPM | ||
| Aablin Hethe Talav | Rajal Barot, Jignesh Kaviraj | D♭ Major | 9 | 3B | 57 BPM | ||
| Khamma Khamma Khodal | Kirtidan Ghadhavi | B Minor | 5 | 10A | 90 BPM | ||
| Dost Tari Dosti | Rohit Thakor, Raju Thakor | C Minor | 9 | 5A | 101 BPM | ||
| Mari Dikri | Kaushik Bharwad | A♭ Minor | 6 | 1A | 100 BPM | ||
| Dakla Khodiyar Mana | Chetan Prajapati, Rajal Barot | F♯ Minor | 8 | 11A | 120 BPM | ||
| Upar Kanch Ka Bangla Niche Sharbat Ki Dukan | Jignesh Barot | F Minor | 9 | 4A | 145 BPM | ||
| Mathura Ma Vagi Morli | Rutvi Pandya | E♭ Minor | 6 | 2A | 170 BPM | ||
| Le Farrra Fudadi | Bhavana Panchal, Rajal Barot | A♭ Minor | 6 | 1A | 47 BPM | ||
| Gori Radhane Kane Gheli Re Kidhi | Rajal Barot | F Major | 7 | 7B | 150 BPM | ||
| Dost Maro Jigar Jaan Lakho Ma Ek - Original | Kaushik Bharwad, NA | A Major | 10 | 11B | 80 BPM |