Greg Weeks's 'Day for Night' had a release date set for March 15, 2006. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Day for Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Blood Is Trouble by Greg Weeks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Day for Night's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Day for Night by Greg Weeks is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stories | Alex Pester | F♯ Major | 8 | 2B | 107 BPM | ||
| Dulling The Horns - Live | Wild Pink | F Major | 5 | 7B | 170 BPM | ||
| Penny Dreadful | Matthew C. Whitaker | B Minor | 2 | 10A | 118 BPM | ||
| Butterfly | Drink The Sea, Peter Buck, Duke Garwood, Alain Johannes, Barrett Martin | A Minor | 4 | 8A | 120 BPM | ||
| The Fences of Stonehenge - Live | Wild Pink | F Major | 5 | 7B | 170 BPM | ||
| Made for This | James Felice | E♭ Major | 1 | 5B | 88 BPM | ||
| Seven Sounds | Clean Cut Kid | B Major | 7 | 1B | 140 BPM | ||
| In the end | Reverend Beat-Man, Milan Slick | E Major | 6 | 12B | 106 BPM | ||
| Aftermath | Greg Weeks | A Major | 4 | 11B | 126 BPM | ||
| No One Above | Paul Spring | C Major | 3 | 8B | 103 BPM | ||
| Arrivals and Departures | Damien Jurado | E♭ Minor | 3 | 2A | 148 BPM | ||
| The Brightest Light | Dallas Good, Richard Reed Parry | C Major | 4 | 8B | 156 BPM | ||
| Albuquerque | Euphoria Again, Dogwood Tales | D Major | 6 | 10B | 132 BPM | ||
| Wake - Live | The Antlers, Okkervil River | D Major | 3 | 10B | 116 BPM | ||
| Forever, I've Been Being Born | Jesse Sykes & The Sweet Hereafter, Marissa Nadler | D♭ Minor | 4 | 12A | 111 BPM | ||
| The Bobbin | The Duke of Norfolk | D Major | 2 | 10B | 112 BPM | ||
| Every Morning | Butchers | A♭ Major | 1 | 4B | 164 BPM | ||
| Dusted | Greg Weeks | G Minor | 5 | 6A | 143 BPM | ||
| Blue Shoes | Jim Putnam | A Major | 4 | 11B | 76 BPM | ||
| The American Resistance | The Apartments, Peter Milton Walsh | A Major | 4 | 11B | 153 BPM | ||
| If You Were To Ask | SunYears, de clair., Peter Morén | A Minor | 5 | 8A | 119 BPM | ||
| Song For Langston Birch | Damien Jurado | G Major | 4 | 9B | 133 BPM | ||
| You Animal | ELROD | G Minor | 5 | 6A | 88 BPM | ||
| The Call | Siblings | F Major | 6 | 7B | 173 BPM | ||
| A Little Balloon | BRNDA | A Major | 7 | 11B | 136 BPM |