"Comprendo" by Daniel Catán, Rolando Villazón, Juan Manuel González, César Nigro had its release date on January 1, 2010. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ¡México!, so we believe that "Comprendo" is a single. Comprendo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Comprendo by Daniel Catán, Rolando Villazón, Juan Manuel González, César Nigro is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La hija de Rappaccini (Rappaccini's Daughter), Op. 2 (Highlights): Act I Scene 4: Giovanni's Recitative and Aria | Daniel Catán, Fernando De La Mora, Jesus Suaste, Encarnación Vázquez, Mexico City Philharmonic Orchestra, Eduardo Diazmuñoz | A♭ Minor | 1 | 1A | 87 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Tonadillas: Amor y Odio | Enrique Granados, Montserrat Caballé, Rafael Ferrer | G Major | 1 | 9B | 67 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
| Dime que si | Alfonso Esparza Oteo, Alfonso Espriu Herrera, Rolando Villazón, Efrain Oscher, Nigel Shore, Juan Manuel González, Juan Lucas Aisemberg, Pablo Bercellini, Gabriel León, Rhodri Clarke | D Major | 4 | 10B | 94 BPM | ||
| Malinconia, ninfa gentile | Vincenzo Bellini, Cecilia Bartoli, James Levine | F Major | 3 | 7B | 107 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 134 BPM | ||
| Princesita | Jose Padilla, Juan Diego Flórez, David Gálvez, Michael Shih, Adriana Voirin DeCosta, Laura Bruton, Karen Basrak, William Clay, Shields-Collins Bray | B Major | 2 | 1B | 84 BPM | ||
| O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
| Habanera | Montserrat Caballé | E Minor | 2 | 9A | 76 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Ariane et Barbe-bleue: Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Deborah Polaski, Jane Henschel, Kwangchul Youn, Ruxandra Donose, Stella Grigorian, Ileana Tonka, Nina Bernsteiner, Ante Jerkunica, Erik Arman, Markus Raab, Slovak Philharmonic Choir, Wiener Symphoniker, Bertrand de Billy | E Major | 3 | 12B | 135 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Prunier, Magda) | Giacomo Puccini, Angela Gheorghiu, William Matteuzzi, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| La Bohème / Act 1: "Si sente meglio?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
| Il fervido desiderio | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 69 BPM | ||
| Requiem: I. Introit – Kyrie | Giuseppe Verdi, Renée Fleming, Olga Borodina, Andrea Bocelli, Ildebrando D'Arcangelo, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 86 BPM | ||
| La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
| Montsalvatge: 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito | Xavier Montsalvatge, Victoria de los Ángeles, Rafael Frühbeck de Burgos, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Minor | 1 | 11A | 65 BPM |