Ravindra Jain's 'Vishwamitra Samay Shubh Jaani' had a release date set for January 1, 2007. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 52 in Baal Kaand by Jaidev, Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Vishwamitra Samay Shubh Jaani is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vishwamitra Samay Shubh Jaani by Ravindra Jain is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Seene Se Lag Ja | Alka Yagnik | D♭ Minor | 7 | 12A | 89 BPM | ||
| Jab Yaad Ki Badli Chhati Hai | Mahendra Kapoor | G Major | 4 | 9B | 118 BPM | ||
| Shair Bana Diya | Anwar Hussain, Laxmikant–Pyarelal | C Major | 3 | 8B | 63 BPM | ||
| Thumak Thumak Teri Chaal Mastani | Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Sur Na Saje Kya Gaoon Main - Live | Manna Dey | D♭ Major | 4 | 3B | 91 BPM | ||
| Main Bewafa Nahin Hoon | Mohammed Rafi, Kalyanji-Anandji | A♭ Minor | 8 | 1A | 129 BPM | ||
| Dwarika Ko Pranam Dwarikadheesh Ko Pranam | Ravindra Jain, Satish Dehra | F Major | 3 | 7B | 88 BPM | ||
| Jhir Jhir Badarwa Barse | Lata Mangeshkar, Hemant Kumar, Shailendra | A♭ Major | 4 | 4B | 130 BPM | ||
| Dujanete Lekha Gaan | Kishore Kumar | E Major | 5 | 12B | 73 BPM | ||
| Tere Charno Mai Lipat Jau Shyam Raj Banke | Mridul Krishan Shastri | B Major | 9 | 1B | 98 BPM | ||
| Dhol Dhamkao Bajao Nagada | Ravindra Jain, Satish Dehra | F Major | 4 | 7B | 81 BPM | ||
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Jai Shail Sute Sambhu Nute Deepachan Sweekaro | Chandrani Mukherjee, Hemlata | A Minor | 4 | 8A | 94 BPM | ||
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Shiv Ka Jhanda Ooncha Mahan | Brahma Kumari | F Major | 5 | 7B | 120 BPM | ||
| Apne Piya Ki Bani Re Joganiya | Suman Kalyanpur | F Minor | 3 | 4A | 108 BPM | ||
| Commentary Tabussum And Yari Hai Imaan Mera - Zanjeer | Tabassum, Manna Dey, Kalyanji-Anandji | A♭ Major | 7 | 4B | 105 BPM | ||
| Tere Nisar Saakia | Jagjit Singh | B♭ Minor | 4 | 3A | 99 BPM | ||
| Taqdeer Bani Bankar Bigdi (From "Mela") | Shamshad Begum | B Major | 3 | 1B | 85 BPM | ||
| Mat Ro Mat Ro Aaj Radhike | Manna Dey | D♭ Minor | 3 | 12A | 120 BPM | ||
| Der Khwaja Ki Taraf | Mohammed Aziz | E♭ Major | 1 | 5B | 119 BPM | ||
| Ek Nagma Ek Tara | Ghulam Ali | F Minor | 4 | 4A | 101 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Ab Khushi Hai Na Koi Dard Rulanewala | Jagjit Singh | E Major | 3 | 12B | 103 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM |