Aborted's ' "Engineering The Dead" was released on its scheduled release date, 2001. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 4 out of 11 in Engineering the dead ( Re-release ) by Aborted. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Engineering The Dead is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Engineering The Dead by Aborted is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Death and Glory | Frozen Soul | F Major | 9 | 7B | 144 BPM | ||
| Ferocious Aftermath | Analepsy, Bleeding Display | F♯ Major | 10 | 2B | 170 BPM | ||
| Immortal Execration | Suffocation | A Major | 10 | 11B | 104 BPM | ||
| Witnesses of Extinction | Analepsy | B Major | 10 | 1B | 113 BPM | ||
| Assimilator (feat. Gost) | Frozen Soul, Gost | A Minor | 9 | 8A | 138 BPM | ||
| Hieroglyphic | Decrepit Birth | G Major | 10 | 9B | 123 BPM | ||
| Fostering the Divide | Immolation | C Major | 10 | 8B | 103 BPM | ||
| Crowned In Everblack | Carnifex | A Major | 9 | 11B | 105 BPM | ||
| Forged for Decrepitude | Aborted | E♭ Minor | 9 | 2A | 121 BPM | ||
| Retrogore | Aborted | E Major | 10 | 12B | 133 BPM | ||
| Divinertia II | The Zenith Passage | B Minor | 7 | 10A | 136 BPM | ||
| Cult of the Ophidian | Summoning the Lich | F♯ Major | 10 | 2B | 128 BPM | ||
| Devastation Squad | Extermination Dismemberment | D♭ Major | 10 | 3B | 133 BPM | ||
| Empire | Pathology | A Minor | 9 | 8A | 180 BPM | ||
| Protonemesis | Extermination Dismemberment | F♯ Major | 10 | 2B | 110 BPM | ||
| Mask of the Wraith | Spire of Lazarus, Max Nagl | A♭ Major | 6 | 4B | 126 BPM | ||
| SLIT WRIST SAVIOR - Graveside Edition | Carnifex | D♭ Minor | 9 | 12A | 102 BPM | ||
| Tyrannical Decay | Pathology | D♭ Major | 10 | 3B | 128 BPM | ||
| To End All Flesh Before Me | Dyscarnate | D♭ Major | 10 | 3B | 105 BPM | ||
| Death Has A Sound | The Fallen Prophets | B Minor | 9 | 10A | 180 BPM | ||
| Praenuntius Ascends | Vulvodynia, Jon Huber, Matti Way | A Major | 10 | 11B | 135 BPM | ||
| No Half Measures | Ingested | A Minor | 10 | 8A | 135 BPM | ||
| Beyond the Chemical Doorway | Job For A Cowboy | A Major | 10 | 11B | 153 BPM | ||
| Perpetual Deception | Suffocation | A Major | 10 | 11B | 104 BPM | ||
| Etched in Oblivion | Job For A Cowboy | A Major | 10 | 11B | 153 BPM |