Robert Schumann, Yo-Yo Ma, Kathryn Stott's ' "I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102)" was released on its scheduled release date, 2015. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) by Robert Schumann, Yo-Yo Ma, Kathryn Stott having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | A Minor | 0 | 8A | 81 BPM | ||
| Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
| Symphony 1997 (Heaven Earth Mankind) for Cello Solo, Bian-zhong, Children's Chorus and Orchestra: Song of Peace - Voice | Tan Dun, Yip's Children's Choir, Hong Kong Philharmonic Orchestra | G Major | 4 | 9B | 130 BPM | ||
| Concerto in B minor for Cello and Orchestra, Op. 104: III. Finale. Allegro moderato | New York Philharmonic, Yo-Yo Ma, Kurt Masur | B Major | 0 | 1B | 105 BPM | ||
| Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
| 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Minor | 2 | 2A | 81 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Concerto in C minor for Cello, Strings and Basso continuo, RV 401: II. Adagio | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 66 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| Piano Quintet in E-Flat Major, Op. 44: IV. Finale (Allegro, ma non troppo) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | E♭ Major | 2 | 5B | 133 BPM | ||
| Les Chemins de l'Amour | Francis Poulenc, Yo-Yo Ma, Kathryn Stott | D♭ Major | 1 | 3B | 86 BPM | ||
| Cello Concerto in B-Flat Major, G. 482: II. Andantino grazioso | Luigi Boccherini, Yo-Yo Ma, Pinchas Zukerman, Saint Paul Chamber Orchestra | D Minor | 2 | 7A | 69 BPM | ||
| Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
| Mumuki | Yo-Yo Ma, Horacio Malvicino, Gerardo Gandini, Antonio Agri, Hector Console, Néstor Marconi | C Major | 2 | 8B | 77 BPM | ||
| Cello Suite No. 5 in C Minor, BWV 1011: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 83 BPM | ||
| Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Piano Trio No. 3 in C Minor, Op. 101: Allegro energico | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Minor | 1 | 5A | 115 BPM | ||
| Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM | ||
| Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
| Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | E Minor | 0 | 9A | 81 BPM |