"Monster Match I" by 眞鍋 理一郎 had its release date on 1973. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Monster Match I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in 眞鍋 理一郎's "Godzilla vs. Megalon Original Soundtrack" album is number 31 out of 38. Based on our statistics, Monster Match I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monster Match I by 眞鍋 理一郎 to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Care Package | Basil Poledouris | F Major | 0 | 7B | 83 BPM | ||
| Thoughts on My Heartbeats | Steven Schondler, Neon Lilith, Samantha L Miller, Metasymphony | B Major | 2 | 1B | 88 BPM | ||
| Baddy | John Charles Fiddy | E Major | 1 | 12B | 78 BPM | ||
| Approaching Darkness | Yu-Gi-Oh! | C Major | 3 | 8B | 98 BPM | ||
| 交響ファンタジー「ゴジラVSキングギドラ」 Ⅵ 行進曲 | 伊福部昭, Tetsuji Honna, Japan Philharmonic Orchestra | G Minor | 4 | 6A | 133 BPM | ||
| ウルトラマンレオ・戦い | Toru Fuyuki | F♯ Major | 2 | 2B | 106 BPM | ||
| Opening | Masaru Sato | C Major | 3 | 8B | 105 BPM | ||
| The Corbomite Maneuver: Radiation / Cube Radiation / Baby Balok / Fesarius Approaches - From "The Corbomite Maneuver" | Fred Steiner, Royal Philharmonic Orchestra | F Major | 2 | 7B | 67 BPM | ||
| A BAOA QU Shinko M-65 | Yushi Matsuyama | A Minor | 8 | 8A | 149 BPM | ||
| Godzilla's Bitter Struggle | 眞鍋 理一郎 | A Major | 4 | 11B | 138 BPM | ||
| The Defenders | Sam Spence | E Minor | 4 | 9A | 141 BPM | ||
| March Of The Dead | Joseph Loduca | C Minor | 4 | 5A | 97 BPM | ||
| Sunday Morning | Mark Braids, Mark Buho | B♭ Minor | 3 | 3A | 80 BPM | ||
| The Hidden Fortress | Masaru Sato | C Major | 5 | 8B | 118 BPM | ||
| The House | Pino Donaggio | C Minor | 3 | 5A | 89 BPM | ||
| Bridge Collection | Seiji Yokoyama, Ragen Blue Symphonic Orchestra | E♭ Minor | 2 | 2A | 80 BPM | ||
| The Whaler | Leonard Rosenman | C Major | 4 | 8B | 120 BPM | ||
| Life | Transformers | B♭ Major | 9 | 6B | 168 BPM | ||
| Godzilla And The Polluted Ocean | 眞鍋 理一郎 | B♭ Major | 3 | 6B | 79 BPM | ||
| Unknown (Abandoned Level) | Medievil I | A Major | 9 | 11B | 140 BPM | ||
| Michael Saved / Keep Fighting | Stu Phillips | G Major | 2 | 9B | 92 BPM | ||
| Unesse | Dick Walter | E♭ Major | 0 | 5B | 131 BPM | ||
| The Last Laugh: Batman the Terminator - From The Episode "The Last Laugh" | Shirley Walker | C Major | 2 | 8B | 105 BPM | ||
| Main Title | 小六禮次郎 | F Major | 1 | 7B | 86 BPM | ||
| 始まり | Takayuki Hattori | D Minor | 3 | 7A | 78 BPM |