Parul Mishra's ' "Boond" was released on its scheduled release date, September 24, 2021. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Boond and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Boond is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Boond by Parul Mishra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Radha Madhava | Gopal Krishna Goswami, Madhavas Rock Band | D Minor | 5 | 7A | 90 BPM | ||
| Mahamritunjaya Mantra | Abhinay Jain, Rajshree Agarwal, Vibhuti Vaity | F Major | 6 | 7B | 93 BPM | ||
| Om Bhurbhuvah Swah Tatsaviturvarenyam - Gayatri Mantra | Premanand Maharaj, Pure Bhakti Melody | A Minor | 1 | 8A | 144 BPM | ||
| Powerful Durga Stuti | Tarsh Srivastava | E♭ Major | 6 | 5B | 130 BPM | ||
| Krishna Stuti | Devrishi, Rishiking, Rishikesh Pandey | C Minor | 3 | 5A | 125 BPM | ||
| Ya Devi Sarvabhuteshu Chants | Chanting India, Parul Mishra | B♭ Major | 4 | 6B | 110 BPM | ||
| Hanuman Vadvanal Stotra | Vajrang Aphale | A♭ Major | 4 | 4B | 84 BPM | ||
| Bhajan Jamming | Backstage Siblings | B♭ Minor | 7 | 3A | 131 BPM | ||
| Dashrath Krit Shani Stotra | Aanjaney Sharma Anjul | B Major | 5 | 1B | 130 BPM | ||
| Ek Onkar (Reprise) | Asees Kaur, Bhakti Setu, Raghav Sachar | C Major | 2 | 8B | 173 BPM | ||
| सूर्याष्टकम् | Harindu | G Minor | 1 | 6A | 146 BPM | ||
| Zindagi Kashmakash | Shaan, Aditi Singh Sharma, Parul Mishra | A♭ Major | 4 | 4B | 127 BPM | ||
| Om Shreem Mahalakshmiyei Namaha 108 Times (Mahalaxmi Mantra) | Manjeera Ganguly | A Minor | 9 | 8A | 130 BPM | ||
| Janaki Nath Sahay Kare | Ajoy Chakrabarty | E Major | 6 | 12B | 127 BPM | ||
| Sri Damodarashtakam - Female Version | ISKCON Bangalore | B Major | 3 | 1B | 132 BPM | ||
| Ishq Ada (Female Version) | Parul Mishra | B♭ Minor | 6 | 3A | 133 BPM | ||
| Hare Krishna Kirtan | ISKCON Bangalore | A♭ Major | 6 | 4B | 189 BPM | ||
| Lingashtakam | Divine Dharohar | D Major | 4 | 10B | 155 BPM | ||
| Yaa Devi Sarva Bhuteshu | Nirmalya Roy | A♭ Minor | 7 | 1A | 96 BPM | ||
| ॐ नमः शिवाय - शिव धुन | Apurva Krishna | B Major | 2 | 1B | 105 BPM | ||
| Sankat Mochan Hanuman Ashtak | Soumya Pandey | D♭ Major | 4 | 3B | 91 BPM | ||
| Daridrya Dahan | Anandmurti Gurumaa | D Minor | 6 | 7A | 77 BPM | ||
| Nagendraharaya Trilochanaya | Shiva Panchakshara Stotram (नागेन्द्रहाराय त्रिलोचनाय) | Yara Music Studio | F Minor | 7 | 4A | 80 BPM | ||
| Tarpan | Aasa Singh, Mahendra Dhirajlal Kamdar | D Major | 3 | 10B | 115 BPM | ||
| Saamba Sadashiva Sambhu Shankara | Divine Raga Studio | F Minor | 6 | 4A | 120 BPM |