"Phil" by Steph Copeland had its release date on October 28, 2022. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Phil's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vicious Fun (Original Motion Picture Score) by Steph Copeland. The song's track number on the album is #9 out of 39 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. The popularity of Phil is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Phil by Steph Copeland has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Phil being at 166 BPM, the half-time would be 83 BPM with a double-time of 332 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whiplash | The Night Lands | B Major | 5 | 1B | 163 BPM | ||
| Drive | Britta Phillips | F♯ Minor | 4 | 11A | 108 BPM | ||
| Strangers Now | The Slow Show | D Major | 4 | 10B | 85 BPM | ||
| I Will Lose | Ebony KARMA Dior | C Minor | 3 | 5A | 101 BPM | ||
| Moving Forward | CLOVES | F Minor | 2 | 4A | 123 BPM | ||
| Italy | Soap&Skin | A♭ Major | 5 | 4B | 130 BPM | ||
| Northern Lights | Whitebrow | E Major | 1 | 12B | 82 BPM | ||
| Pockets of Light - Excerpt | Lubomyr Melnyk | G Major | 2 | 9B | 113 BPM | ||
| Hit Me Where It Hurts | Steph Copeland | F Minor | 4 | 4A | 120 BPM | ||
| The Weight of Your Words | The Venice Connection | G Major | 4 | 9B | 150 BPM | ||
| For You | Rae Morris | C Major | 4 | 8B | 124 BPM | ||
| Burning House | Aaron Espe | F♯ Minor | 1 | 11A | 130 BPM | ||
| Can't Be Lovers | The Remaining Part | G Major | 5 | 9B | 83 BPM | ||
| Criminal | Éric Serra, Mitivaï Serra | A Minor | 4 | 8A | 71 BPM | ||
| Bite Marks | The Mistys | F♯ Major | 9 | 2B | 120 BPM | ||
| Lucy | Ari Mason | B♭ Minor | 3 | 3A | 108 BPM | ||
| Slow Tide | Ocie Elliott | F Major | 2 | 7B | 63 BPM | ||
| Helenina Uspávanka a Viola | Steph Copeland, Slovak Radio Symphony Orchestra, Anton Popovic, Andrea Bucko | G Major | 1 | 9B | 77 BPM | ||
| Buried | UNSECRET, Katie Herzig | F Major | 4 | 7B | 82 BPM | ||
| I Can Change | Haley Bonar | D Major | 7 | 10B | 80 BPM | ||
| Holding Us Up | David O'Dowda | D Minor | 1 | 7A | 152 BPM | ||
| Wonder | Soap&Skin | F♯ Major | 1 | 2B | 82 BPM | ||
| I Wrote in Blood | Still Corners | A♭ Major | 4 | 4B | 110 BPM | ||
| Swelling | Sarah Jaffe | B♭ Major | 1 | 6B | 140 BPM | ||
| Mom’s Got Work | Adam Taylor | A Minor | 4 | 8A | 174 BPM |