Imaginary Landscape No. 1 by The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage Song Details

"Imaginary Landscape No. 1" by The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage had its release date on January 1, 1960. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The 25-Year Retrospective Concert of the Music of John Cage, Disc One". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Imaginary Landscape No. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Imaginary Landscape No. 1 by The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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