Pat Metheny Group's 'San Lorenzo' had a release date set for March 1, 1978. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Pat Metheny Group". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. San Lorenzo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With San Lorenzo by Pat Metheny Group having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something I Said | Steps Ahead | E Minor | 4 | 9A | 111 BPM | ||
| Love Poem | Tom Scott And The L.A. Express | A Major | 3 | 11B | 80 BPM | ||
| Prince Of The Sea | Lenny White | D Minor | 5 | 7A | 121 BPM | ||
| Mevlevia | Gary Burton Quintet, Eberhard Weber | C Major | 3 | 8B | 123 BPM | ||
| Electric Man | Billy Cobham, Novecento, Brian Auger | D Major | 8 | 10B | 138 BPM | ||
| Time Passed Autumn - Pt. I | Claus Ogerman Orchestra | C Minor | 1 | 5A | 109 BPM | ||
| Clint | John Abercrombie, Marc Johnson, Peter Erskine | B Minor | 4 | 10A | 118 BPM | ||
| From the Lonely Afternoons | Wayne Shorter | D Minor | 8 | 7A | 171 BPM | ||
| Le Lis | Billy Cobham | B♭ Minor | 6 | 3A | 165 BPM | ||
| Ataraxia - Pt. II | Klaus Doldinger's Passport | D♭ Major | 3 | 3B | 86 BPM | ||
| Many Chinas | Mark Isham | A♭ Major | 3 | 4B | 152 BPM | ||
| In the Presence and Absence of Each Other (Pt. 3) | Ogerman & Brecker | A Major | 1 | 11B | 124 BPM | ||
| East To Wes | Emily Remler | G Minor | 2 | 6A | 134 BPM | ||
| My Sweetness | Stuff | G Minor | 4 | 6A | 91 BPM | ||
| Broken Heart | Al DiMeola Project | E Major | 1 | 12B | 116 BPM | ||
| A Place in the World | Pat Metheny Group | A Minor | 3 | 8A | 160 BPM | ||
| Fly With The Wind | McCoy Tyner | F Minor | 7 | 4A | 141 BPM | ||
| Promenade | Neil Larsen | F Major | 4 | 7B | 116 BPM | ||
| Distance vs. Desire | Allan Holdsworth | A Major | 1 | 11B | 171 BPM | ||
| Unquity Road - Live | Pat Metheny, Pat Metheny Group | B Major | 5 | 1B | 105 BPM | ||
| Spring Ain't Here | Pat Metheny Group | F Minor | 4 | 4A | 103 BPM | ||
| James | Pat Metheny, Lyle Mays, Pat Metheny Group | D Major | 4 | 10B | 149 BPM | ||
| Reunion | Gary Burton | G Minor | 4 | 6A | 95 BPM | ||
| The Sun in Montreal | Pat Metheny Trio | E Minor | 2 | 9A | 154 BPM | ||
| Nacada | Gary Burton Quartet, Eberhard Weber | D Major | 0 | 10B | 66 BPM |