"The Light Fantastic: III. Do the Hustle" by Andrew Rindfleisch, Columbus State University Wind Ensemble, Robert W. Rumbelow had its release date on November 16, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Velocity by Columbus State University Wind Ensemble, Robert W. Rumbelow. The song's track number on the album is #8 out of 9 tracks. Based on our statistics, The Light Fantastic: III. Do the Hustle's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Light Fantastic: III. Do the Hustle by Andrew Rindfleisch, Columbus State University Wind Ensemble, Robert W. Rumbelow has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Light Fantastic: III. Do the Hustle being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Search for Ann | Daniel Blumberg | A Major | 0 | 11B | 113 BPM | ||
| Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
| Exchange | Jun Miyake | A Major | 0 | 11B | 113 BPM | ||
| Statuit ei Dominus | Arvo Pärt, Sinfonietta Riga, Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis | D Minor | 1 | 7A | 83 BPM | ||
| Abstractions: V. Three (Inspired by Brice Marden’s 3, 1987-88) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | A Minor | 0 | 8A | 111 BPM | ||
| With These Hands | Jan Bang, Ensemble Modern | A Major | 0 | 11B | 113 BPM | ||
| 12 Nocturnes: No. 8, In Rosenblüten tanzen | Bent Sørensen, Katrine Gislinge | A Major | 0 | 11B | 113 BPM | ||
| Beyond the Stars | Astrid Voix | A Major | 0 | 11B | 113 BPM | ||
| Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | A Major | 0 | 11B | 113 BPM | ||
| Concerto per voci e strumenti: I. Furioso | Lepo Sumera, Amsterdam Sinfonietta, Candida Thompson, Netherlands Chamber Choir, Martina Batič | A Minor | 3 | 8A | 125 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Akhnaten, Act II: Dance | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Metropolitan Opera Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
| Ornament and Crime: III. Ornament III | Bryce Dessner, Tim Fain | G Minor | 1 | 6A | 132 BPM | ||
| Bright Edge Deep: Wicklow Also | Sarah Neutkens, Alma Quartet Amsterdam | F Minor | 0 | 4A | 72 BPM | ||
| The Known End | Kris Davis | A Major | 0 | 11B | 113 BPM | ||
| Sonata For Solo Cello "Joanna's Tale": II. | Dobrawa Czocher | D Minor | 4 | 7A | 95 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| O ignis Spiritus Paracliti | Edward Picton-Tubervill, Edward Picton-Turbervill, Thomas Eeckhout, Harriet Burns | A Major | 0 | 11B | 113 BPM | ||
| The Light Fantastic: II. Sarabanding | Andrew Rindfleisch, Columbus State University Wind Ensemble, Robert W. Rumbelow | G Major | 0 | 9B | 81 BPM | ||
| Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
| The Perilous Night: I. Crotchet = 176 | John Cage, Marc-André Hamelin | F♯ Major | 0 | 2B | 66 BPM | ||
| K’vakarat | Osvaldo Golijov, Arethusa Quartet, Barry Shiffman | A Major | 0 | 11B | 113 BPM | ||
| Night Seasons: I. Nox Perpetua | Rebecca Dale, Catullus, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
| Salmo de Alabanza (Live) | Andrew Rindfleisch, University of Texas at Arlington a Cappella Choir, Karen Kenaston-French | C Major | 1 | 8B | 127 BPM |