"How It Ends" by Jon Bentley had its release date on July 7, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in How It Ends and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Based on our statistics, How It Ends's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How It Ends by Jon Bentley to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mr Imaginary | Valiance | E Minor | 5 | 9A | 156 BPM | ||
| Bonds Reforged | Thomas Brunet | D♭ Minor | 3 | 12A | 140 BPM | ||
| The Final Fire | Joel Bille, Bortre Rymden | A Major | 1 | 11B | 76 BPM | ||
| Retribution | ZolisterTV | C Minor | 8 | 5A | 140 BPM | ||
| The Puppet Chorus | Jason Graves | B♭ Major | 2 | 6B | 81 BPM | ||
| Revelation | Ross Bugden | D♭ Major | 4 | 3B | 171 BPM | ||
| The Wasteland | Ross Bugden | G Major | 5 | 9B | 109 BPM | ||
| Carmel-by-the-Sea | Jon Bentley | F Major | 8 | 7B | 134 BPM | ||
| Driver | Wilbert Roget, II, D'Anthoni Wooten | A Minor | 2 | 8A | 87 BPM | ||
| Fairytale | Gainsworth, Louis Leibfried | D♭ Major | 9 | 3B | 172 BPM | ||
| 2:23 | Small Fools | A Major | 1 | 11B | 153 BPM | ||
| Loop | aeseaes | E Minor | 2 | 9A | 106 BPM | ||
| Rue du Dragon | Martin Kuzniar | D♭ Minor | 2 | 12A | 150 BPM | ||
| Widow Of The Waves | Senterea | C Minor | 2 | 5A | 150 BPM | ||
| Blood Reaper Kane | Dutonic | G Minor | 8 | 6A | 107 BPM | ||
| Crashsite | Grant Graham | A Major | 7 | 11B | 133 BPM | ||
| Rotted Rings | The Blasting Company, Avantris | D Minor | 3 | 7A | 156 BPM | ||
| The Still, Cold World (Bonus Track) | Piotr Musiał | B Minor | 6 | 10A | 142 BPM | ||
| What Will You Leave Behind (End Titles) | Max LL, Maude Plante-Husaruk | C Major | 1 | 8B | 171 BPM | ||
| Aisles in Blue | How Great Were the Robins | B♭ Minor | 4 | 3A | 148 BPM | ||
| Glow | Trailer Rebel | E Minor | 3 | 9A | 112 BPM | ||
| Don't Call | Dabu, Brigitte Naggar | F♯ Major | 4 | 2B | 120 BPM | ||
| Dead King Boss Fight (Iron's Spells n' Spellbooks Mod Soundtrack) | Caner Crebes | D Major | 1 | 10B | 76 BPM | ||
| The Last Tear | Beícoli | G Major | 3 | 9B | 85 BPM | ||
| Creator - Extended Epic Version | Kalamity Music | C Major | 1 | 8B | 140 BPM |